Chords for Ana Vidovic about nail size and right hand position - Masterclass at Siccas Guitars
Tempo:
129.75 bpm
Chords used:
D
G
G#
B
F#m
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Beautiful playing, very nice sound.
[G] Just a few general things, and I know we don't have a lot of time, but I'm just going to
try to give you as much information as I can in a short amount of time.
The first thing, I mentioned the sound, the quality of the sound.
I noticed that your [G#] nails are a little bit longer side, and sometimes a longer nail can
create a brighter, more brighter sound.
I would suggest when you play something, to play with the nail and the flesh as well,
because it creates more of a warmer sound, a little bit more even.
With box music, you want to have the most even sound that you can create.
When you played, there was a couple of notes that sort of [N] stick out a little bit, and they
were different color, and you want to try to keep the sound as even as possible throughout
the whole movement.
I think, try not to move the hand too much.
Maybe if you stay above here, would be good, and to maybe shorten the nails a little bit.
Just a little bit.
Is this the usual length that you play with?
Yes.
Yes, okay.
You don't have to change drastically, immediately.
If you just shorten a little bit, and then try to play, and then a little bit more.
But like I said, it's always good when you strike the string, to strike with both flesh
and the nail, because that will create a more warmer sound, not so much bright.
And also be careful with the A finger as well.
When you play some notes, the A finger is always the most difficult one to play.
So, sometimes the A finger will create the bright sound.
So you want to make sure that you turn your hand more this way, not that way, but this way.
Do you understand?
That way?
Yes.
Ah, okay.
So, by the time you play with the A finger, [D]
[G]
[D] let's say you have a chord.
The A finger is always the brightest one, right?
So if you want to create a more warmer sound, just turn your hand more inward, right?
Because if [B] you play with this part of the nail, the [F#m] right part of the nail, that's the part of the nail that creates a bright sound.
[D] So, [Em] you want to be able to play with this part of the nail, which is the left part of the nail, right here.
So you strike with both flesh and the nail.
[G] Just a few general things, and I know we don't have a lot of time, but I'm just going to
try to give you as much information as I can in a short amount of time.
The first thing, I mentioned the sound, the quality of the sound.
I noticed that your [G#] nails are a little bit longer side, and sometimes a longer nail can
create a brighter, more brighter sound.
I would suggest when you play something, to play with the nail and the flesh as well,
because it creates more of a warmer sound, a little bit more even.
With box music, you want to have the most even sound that you can create.
When you played, there was a couple of notes that sort of [N] stick out a little bit, and they
were different color, and you want to try to keep the sound as even as possible throughout
the whole movement.
I think, try not to move the hand too much.
Maybe if you stay above here, would be good, and to maybe shorten the nails a little bit.
Just a little bit.
Is this the usual length that you play with?
Yes.
Yes, okay.
You don't have to change drastically, immediately.
If you just shorten a little bit, and then try to play, and then a little bit more.
But like I said, it's always good when you strike the string, to strike with both flesh
and the nail, because that will create a more warmer sound, not so much bright.
And also be careful with the A finger as well.
When you play some notes, the A finger is always the most difficult one to play.
So, sometimes the A finger will create the bright sound.
So you want to make sure that you turn your hand more this way, not that way, but this way.
Do you understand?
That way?
Yes.
Ah, okay.
So, by the time you play with the A finger, [D]
[G]
[D] let's say you have a chord.
The A finger is always the brightest one, right?
So if you want to create a more warmer sound, just turn your hand more inward, right?
Because if [B] you play with this part of the nail, the [F#m] right part of the nail, that's the part of the nail that creates a bright sound.
[D] So, [Em] you want to be able to play with this part of the nail, which is the left part of the nail, right here.
So you strike with both flesh and the nail.
Key:
D
G
G#
B
F#m
D
G
G#
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ Beautiful playing, _ very nice sound.
_ [G] _ _ _ Just a few general things, and I know we don't have a lot of time, but I'm just going to
try to give you as much information as I can in a short amount of time. _
_ The first thing, I mentioned the sound, the quality of the sound.
I noticed that your [G#] nails are a little bit longer side, and sometimes a longer nail can
create a brighter, more brighter sound.
_ _ I would suggest _ _ when you play something, to play with the nail and the flesh as well,
because it creates more of a warmer sound, a little bit more even.
With box music, you want to have the most even sound that you can create.
_ _ _ When you played, there was a couple of notes that sort of [N] stick out a little bit, and they
were different color, and you want to try to keep the sound as even as possible throughout
the whole movement.
_ I think, try not to move the hand too much.
Maybe if you stay above here, would be good, and to maybe shorten the nails a little bit.
Just a little bit.
Is this the usual length that you play with?
Yes.
Yes, okay.
You don't have to change drastically, immediately.
If you just shorten a little bit, and then try to play, and then a little bit more.
But like I said, it's always good when you strike the string, to strike with both flesh
and the nail, because that will create a more warmer sound, not so much bright.
And also be careful with the A finger as well.
When you play some notes, the A finger is always the most difficult one to play.
_ So, sometimes the A finger will create the _ bright sound.
So you want to make sure that you turn your hand more this way, not that way, but this way.
Do you understand? _
That way?
Yes.
Ah, okay.
So, by the time you play with the A finger, _ _ _ _ [D] _ _ _
_ _ _ _ _ _ [G] _ _
_ _ _ _ [D] let's say you have a chord.
_ _ _ _ _ _ _
The A finger is always the brightest one, right?
So if you want to create a more warmer sound, just turn your hand _ _ more inward, right?
_ _ Because if [B] you _ play with this part of the nail, the [F#m] right part of the nail, that's the part of the nail that creates a bright sound. _
[D] So, [Em] you want to be able to play with this part of the nail, which is the left part of the nail, right here.
So you strike with both flesh and the nail. _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ Beautiful playing, _ very nice sound.
_ [G] _ _ _ Just a few general things, and I know we don't have a lot of time, but I'm just going to
try to give you as much information as I can in a short amount of time. _
_ The first thing, I mentioned the sound, the quality of the sound.
I noticed that your [G#] nails are a little bit longer side, and sometimes a longer nail can
create a brighter, more brighter sound.
_ _ I would suggest _ _ when you play something, to play with the nail and the flesh as well,
because it creates more of a warmer sound, a little bit more even.
With box music, you want to have the most even sound that you can create.
_ _ _ When you played, there was a couple of notes that sort of [N] stick out a little bit, and they
were different color, and you want to try to keep the sound as even as possible throughout
the whole movement.
_ I think, try not to move the hand too much.
Maybe if you stay above here, would be good, and to maybe shorten the nails a little bit.
Just a little bit.
Is this the usual length that you play with?
Yes.
Yes, okay.
You don't have to change drastically, immediately.
If you just shorten a little bit, and then try to play, and then a little bit more.
But like I said, it's always good when you strike the string, to strike with both flesh
and the nail, because that will create a more warmer sound, not so much bright.
And also be careful with the A finger as well.
When you play some notes, the A finger is always the most difficult one to play.
_ So, sometimes the A finger will create the _ bright sound.
So you want to make sure that you turn your hand more this way, not that way, but this way.
Do you understand? _
That way?
Yes.
Ah, okay.
So, by the time you play with the A finger, _ _ _ _ [D] _ _ _
_ _ _ _ _ _ [G] _ _
_ _ _ _ [D] let's say you have a chord.
_ _ _ _ _ _ _
The A finger is always the brightest one, right?
So if you want to create a more warmer sound, just turn your hand _ _ more inward, right?
_ _ Because if [B] you _ play with this part of the nail, the [F#m] right part of the nail, that's the part of the nail that creates a bright sound. _
[D] So, [Em] you want to be able to play with this part of the nail, which is the left part of the nail, right here.
So you strike with both flesh and the nail. _ _ _ _ _
_ _ _ _ _ _ _ _