Chords for Comping for jazz standards Foggy Day

_ Okay, I'm going to start trying to play some of these tunes.
The first one is going to be, I'm going to do them semi-alphabetical, as they come up
in the books.
Foggy Day, pretty standard tune.
The melody, you know, goes from been around for everybody knows.
The two 16-bar phrases, each of those 16-bar A or B or however you want to label each section
is four individual four-bar phrases.
Each one kind of starts over.
_ _ [Gm]
The melody is kind of active.
The first bar, [C] boom, boom, [Eb] boom, boom, gets less happy.
You see [D] this thing?
_ _ [A] _ So, if you're [G] comping, you've got to [F] reflect on this.
_ [Cm] _ _ _ _
[Em] _ [Bb] _ _ _ [Gm] You can get a lot more active as the phrase goes on and relax at the beginning.
_ I use a lot of half-step or sub, whatever you want to call them.
If I'm going to the two, [Ab] _ [Gb] there's a sub-five, right?
_ [Gm] _
[Abm] Or [Gm] still, [Abm] [G] you call it [Abm] a chromatic or [Gm] it's a sub-five, [G] anyway you want to look at [Ab] it,
it's used modal, [E] it doesn't [A] matter.
Whatever you hear, it [Abm] works with the melody.
_ _ _ And I [Bb] use a lot of two-five sub-fives.
If I'm going to the G minor, [Ab] I may use it.
[Fm] _ _
[C] _ [Bb] _ [Abm] _ [Gm] _ [C] _ [Bb] _ [Gm] _ _
[Em] I'll use it.
[Bb] That's a sub, right?
[Fm] [Am] So, two, [D] _ [Fm] alter two, the sub [Gm] of that.
Where I'm going, if it's major, I could still use that same one when I'm going to major.
_ [Ab] _ _ [F] _
_ [G] I do it all the time, anyway.
[Bb] It's [Abm] very bluesy, you can see those [N] blue notes.
Anyway, let me just comp through it and if I play something, I'll try to talk about it.
[G] _ [F] _ _ _
[Cm] _ _ [Gb] _ [Gm] _ _ _ [E] _ _
_ [Dm] _ _ [Fm] _ _ _ _ [F] _
_ _ [Gm] _ [Ab] _ [Cm] _ _ _ [Gm] _
[Db] _ _ [Dm] _ _ _ [Db] _ _ _
[Am] _ [C] _ _ [Bb] _ _ _ [Am] _ [Abm] _
[Gm] _ [E] _ _ _ [Dm] _ [Dbm] _ [Abm] _ _
_ [Gm] _ _ [Ab] _ _ _ [D] _ _
_ _ _ _ _ [A] _ [Gm] _ [E] _
[Eb] _ _ _ [Db] _ _ [B] _ [Dm] _ _
[F] _ _ _ [Ab] _ _ [Gm] _ [Abm] _ [Am] _
[Db] _ [F] _ [C] _ [Bb] _ _ _ [C] _ [Dm] _
_ _ _ [E] _ _ [Dm] _ [Db] _ _
[Ebm] _ [Gbm] _ [Gm] _ [Dm] _ [Ab] _ _ _ [D] _
[Dm] _ _ [Fm] _ _ _ [F] _ [Abm] _ [Bb] _
_ [E] _ [C] _ [Cm] _ _ _ _ [Dm] _
[Fm] _ _ [Db] _ _ _ [Am] _ [Gm] _ [C] _
_ [Ebm] _ [Dm] _ _ [F] _ [Bb] _ [Dbm] _ _
[Cm] _ _ [B] _ _ _ [Bb] _ _ _
[C] _ [Dbm] _ _ [C] _ _ [Fm] _ _ _
[F] _ [Abm] _ _ [Gm] _ [E] _ [Bb] _ [Ebm] _ _
[Cm] _ [Db] _ _ [Bb] _ _ [F] _ _ [G] _
[F] _ _ [C] _ _ [Db] _ [C] _ _ _
[Bb] _ _ _ [A] _ [F] _ [G] _ _ [E] _
[Dm] _ [Em] So anyway, that's pretty straight, nothing, just straight comping through.
It's hard to comp when you've got nothing going, no rhythm, no bass player.
Bass player usually just playing quarter notes on [Gm] this, walking pretty [F] in.
[Eb] _ [Db] _
_ [D] _ _ _ [E] _ [C] _ [Bb] _ [Ab] _
_ [C] _ [D] _ _ _ _ [Gb] _ _
_ _ [F] _ _ He's just walking quarters, swinging as he goes along.
_ [G] If you had a soloist, you go with him, you get to listen.
Anyway, that's a pretty straight version.
I'll try to load this and then do another one.
If there's anything you see, just give me a note and I'll try to explain what I did.
Like I said, I used a lot of approaches.
They're all pretty straight, though.
I didn't use anything, all my voicing, because this is a pretty straight tune.
I used all standard chords, no heavy