Chords for ELTON JOHN about 2CELLOS

Tempo:
150.25 bpm
Chords used:

G

A

C

D

F

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
ELTON JOHN about 2CELLOS chords
Start Jamming...
go on YouTube and look at Smooth Criminal by the two cellos.
So I think I looked at it on the spot.
Someone had a computer and we looked at it
and I was [D] absolutely astonished.
I'm [A] so proud of you.
[B] [G]
[A] [B]
[G] [A] [B]
[Gb] [G] [A] [B]
So [G] you did [F] what?
[Dm] And I said [C] on the spot, oh my God, this is incredible.
I've never seen cello players play like this.
I've never seen cello players rock out.
And I said, God, I've got to have them
in my head [A] and straight.
[F] [A] [G]
[F] [A]
[F] [C]
[A] [C]
[G] [A] [B] [C]
[A] [Gb]
[Ab] They agreed to come and rehearse with the band
and they joined the band.
[C] They'd already had this first record coming out,
the first two cellos record.
And to make a long story short,
they fitted in so well with the band
because a lot [Cm] of the music that I do is orchestral based.
And they added not only [Bb] musical brilliance,
but they added youth to the band.
They [Eb] added adrenaline [Bb] because, you know, we're not young.
We still have plenty of enthusiasm,
but there's something about [C] young musicians
that give you something else.
And they just kicked our ass, [F] basically.
And [G] they fitted in so well and they were such [C] great people.
[A]
[F] [C] [D] [Am] [F]
[C] There's [Abm] going to be a time soon when they go off
and fly away and do their own thing
because they're becoming big stars [Bm] in Japan.
They're getting a big name for themselves.
[B] Their money's going up.
[Db] Their career is going [Gbm] forward, which is fantastic.
[Dm]
I absolutely [F] love these guys.
The way they play together,
[Bb] if you go and check it out on YouTube
and you [Dm] not only see the [Bb] rock music that they play,
[Ab] but also the classical music they play,
there's a [Cm] kind of
[G] homoerotic,
even though [Bm] they're not gay in a [G] million years,
but it's the most beautiful homoerotic way
[D] they play together.
They're [E] in sync.
It's like Bernie Taupin and myself.
[Bm]
He writes lyrics, [G] I write melodies.
I don't know why it [D] works, but it works.
With these two [E] guys, they just play so [Abm] beautifully together.
They seem to know what [E] either one of them's going to do
at the next [B] moment.
And that, musically, is [F] a gift.
It doesn't [G] happen very [Abm] often.
The spontaneity that they have [E]
is incredible
and [B] they seem to have it together.
[Db]
[Fm]
[Db] [Ab]
[Bb] [Eb]
[Fm] [Db]
[Ab] [Bb]
[N] And they've appeared on Glee,
they've appeared on Ellen DeGeneres,
they've appeared on Tonight Show and played people like that.
What they're doing is getting their head of steam up.
And with this album, I think it will really put them
in the forefront of what's going on.
They are unique.
There's no one like them out there.
It's like watching Jimi [Bb] Hendrix.
Whenever they [C] play a live show with us,
they open the show [G] and they go out there
and they play four songs.
And I've never heard a live [Dm] act, an opening [Ab] act,
get standing ovations after every song.
[N] It's unique.
I've never seen that.
I used to do pretty well myself,
but they get a standing ovation after [Gm] every song.
[G]
[Eb]
[A] [G]
[A] [G]
[A]
[Gm]
[D] [Am]
[A] [C] [D] [G]
[A] [D] [G] [A]
[G]
[C] Because no one's seen things like this [N] before.
You know, Yo-Yo Ma is a brilliant cello player
and everything like that.
He's taken the world of cellos one step further.
They're taking it [E] another step further.
[A] [D]
[A] [D]
[A] [D]
[A]
[D] I think it's amazing.
[A] [N] Yeah, one day they're going to fly away from me
and they'll be the two cellos on their own
and they'll be doing gigs on their own anyway.
But what I mean to say is they'll outgrow me
and they'll outgrow the band
and they'll become a huge act in their own right.
If you really want to see something exciting,
go and [C] see them live [Gm] because it really is [Am] astonishing.
I can't remember seeing anything as [C] exciting
as since I saw Jimi [D] Hendrix at [C] the Marquee Club
[Bb] way back in the 60s.
[A]
[G] So that's my take on the two [Eb] cellos.
[G] Steppen, Hauser, [F] Lucas [Gm] Ilitch.
Two brilliant young men [B] from [Eb] Croatia.
[G] Watch [C] this space.
[G] [Eb] [G] [Bbm] [Eb]
[G] [Bbm] [Eb]
[G] [Bbm] [Eb]
[G] [Bb]
[G]
[N]
Key:  
G
2131
A
1231
C
3211
D
1321
F
134211111
G
2131
A
1231
C
3211
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go on YouTube and look at Smooth Criminal by the two cellos.
_ So I think I looked at it on the spot.
Someone had a computer and we looked at it
and I was [D] absolutely astonished.
I'm [A] so proud of you.
[B] _ _ [G] _
_ _ _ [A] _ _ _ [B] _ _
[G] _ _ _ _ [A] _ _ [B] _ _
[Gb] _ _ [G] _ _ [A] _ _ _ [B] _
_ _ So [G] you did [F] what? _ _
_ [Dm] And I said [C] on the spot, oh my God, this is incredible.
I've never seen cello players play like this.
I've never seen cello players rock out.
_ And I said, God, I've got to have them
in my head [A] and straight. _ _
_ _ _ _ _ _ _ _
_ [F] _ _ [A] _ _ _ _ [G] _
_ [F] _ [A] _ _ _ _ _ _
[F] _ _ [C] _ _ _ _ _ _
_ _ [A] _ _ _ [C] _ _ _
[G] _ [A] _ _ [B] _ [C] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [A] _ _ _ [Gb] _ _
_ _ _ _ _ [Ab] They agreed to come and rehearse with the band
and they joined the band.
_ _ [C] They'd already had this first record coming out,
the first two cellos record. _ _ _
And to make a long story short,
they fitted in so well with the band
because a lot [Cm] of the music that I do is orchestral based.
And they added not only [Bb] musical brilliance,
but they added youth to the band.
They [Eb] added adrenaline _ _ [Bb] because, you know, we're not young.
We still have plenty of enthusiasm,
but there's something about [C] young musicians _
_ that give you something else.
And they just kicked our ass, [F] basically.
_ And [G] they fitted in so well and they were such [C] great people. _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [A] _ _ _ _ _
[F] _ _ [C] _ [D] _ _ _ [Am] _ [F] _
[C] _ _ _ _ _ _ There's _ [Abm] _ going to be a time soon when they go off
and fly away and do their own thing
because they're becoming _ big stars [Bm] in Japan.
They're getting a big name for themselves.
[B] Their money's going up.
[Db] Their career is going [Gbm] forward, which is fantastic.
[Dm] _ _
I absolutely [F] love these guys.
The way they play together,
_ [Bb] if you go and check it out on YouTube
and you [Dm] not only see the [Bb] rock music that they play,
[Ab] but also the classical music they play,
there's a [Cm] kind of _
[G] homoerotic,
even though [Bm] they're not gay in a _ [G] million years,
but it's the most beautiful homoerotic way
[D] they play together.
They're [E] in sync.
It's like Bernie Taupin and myself.
_ [Bm] _
He writes lyrics, [G] I write melodies.
I don't know why it [D] works, but it works.
With these two [E] guys, they just play so [Abm] beautifully together.
They seem to know what [E] either one of them's going to do
at the next [B] moment.
And that, musically, is [F] a gift.
It doesn't [G] happen very [Abm] often.
The spontaneity that they have [E] _
is incredible
and [B] they seem to have it together.
_ _ [Db] _
_ _ _ _ _ [Fm] _ _ _
_ _ [Db] _ _ _ _ _ [Ab] _
_ _ _ [Bb] _ _ _ [Eb] _ _
[Fm] _ _ _ _ _ [Db] _ _ _
_ [Ab] _ _ _ _ _ [Bb] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [N] And they've appeared on Glee,
they've appeared on Ellen DeGeneres,
they've appeared on Tonight Show and played people like that.
_ What they're doing is getting their head of steam up.
And _ with this album, I think it will really _ put them
in the forefront of what's going on.
They are unique. _
There's no one like them out there.
It's like watching Jimi [Bb] Hendrix.
Whenever they [C] play a live show with us,
they open the show [G] and they go out there
and they play four songs.
And I've never heard a live [Dm] act, an opening [Ab] act,
get standing ovations after every song.
[N] It's unique.
I've never seen that.
I used to do pretty well myself,
but they get a standing ovation after [Gm] every song.
_ _ [G] _ _ _ _ _
_ _ [Eb] _ _ _ _ _ _
[A] _ _ _ _ _ [G] _ _ _
_ _ _ _ _ _ _ _
_ [A] _ _ _ _ _ _ [G] _
_ _ _ _ _ _ _ _
_ _ _ [A] _ _ _ _ _
_ _ _ [Gm] _ _ _ _ _
_ _ _ [D] _ _ _ [Am] _ _
[A] _ _ _ [C] _ _ [D] _ [G] _ _
[A] _ [D] _ _ [G] _ _ _ _ [A] _
_ _ _ _ _ _ _ [G] _
[C] Because _ no one's seen things like this [N] before.
You know, Yo-Yo Ma is a brilliant cello player
and everything like that.
He's taken the world of cellos one step further.
They're taking it [E] another step further. _ _ _ _ _
_ _ _ [A] _ _ _ [D] _ _
_ _ _ [A] _ _ _ _ [D] _
_ _ _ _ [A] _ _ _ [D] _
_ _ _ _ [A] _ _ _
[D] I think it's amazing. _ _ _ _ _ _
[A] _ _ [N] Yeah, one day they're going to fly away from me
and they'll be the two cellos on their own
and they'll be doing gigs on their own anyway.
But what I mean to say is they'll outgrow me
and they'll outgrow the band
and they'll become a huge act in their own right.
_ If you really want to see something exciting,
go and [C] see them live [Gm] because it really is [Am] astonishing.
I can't remember seeing anything as [C] exciting
as since I saw Jimi [D] Hendrix at [C] the Marquee Club
[Bb] way back in the 60s.
[A] _
_ [G] So that's my take on the two [Eb] cellos. _
[G] Steppen, Hauser, [F] Lucas [Gm] Ilitch.
Two brilliant young men [B] from [Eb] Croatia. _ _
[G] _ Watch [C] this space.
[G] _ _ [Eb] _ _ [G] _ _ _ _ [Bbm] _ _ [Eb] _ _
[G] _ _ _ _ [Bbm] _ _ [Eb] _ _
[G] _ _ _ _ [Bbm] _ _ _ [Eb] _
[G] _ _ _ _ [Bb] _ _ _ _
_ _ [G] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [N] _ _ _ _ _ _

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