Chords for Flamenco Guitar Lesson W/ TABS | Buleria Falseta 6 | Diego de Oro
Tempo:
136.1 bpm
Chords used:
B
C
F#
G#
D
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[B] [Am] [B]
[C] [Dm] [C] [B]
[F#] [D] [Cm] [B]
[F#] [B]
[C] So here we have a look at a Boleria rhythm falsetta that would fit nicely between two
solo falsettas or just a little rhythm interlude between verses for a singer.
[B] So we start out with a rasqueo section.
[C]
[F#] [B]
Now with our rasqueo we [G#] want to have a nice sharp individual rasqueo so locking our fingers
into our thumb and our accent is going to be when we come out of the rasqueo with the
M finger on beat 3 and the and of 10, a syncopation for 10.
[B]
[C] [F#]
[B] [G#]
Now we continue on, we start out with rasqueo, move into pulgar.
Now when we switch [B] we [C] [D]
[F] [E] [Cm] [B] can see that we're just bringing our thumb which is already locked
into string 6, we're just rotating it around [A]
to bring our pulgar [D] [A#m] and [E]
[G#] [B] that makes the [G#] transition very easy.
We go from this to this for our pulgar.
Also you want to be aware of where the hammers and slurs are because that makes the line
legato as it should be and also really gives the feel, the placement of where you're picking versus slurring.
Again that section [B] and [C]
[G#] [A#m] [E] [Cm] [B]
then continuing on from there.
[C] [B] [F#] [B] [G]
[F#] [F] [D#] [D] [Cm] [B]
Again, very legato section.
[N] [C] [B] [F#]
[B] [G] [F#] [F] [D#] [D]
[Cm] [B]
Continuing on from there, we'll go back in to a rasqueo section and then finish it off with pulgar.
[C] [F#] [B]
So that whole section [C] [B]
and [G#] [B] [F#]
[B]
we can see there that [G#] our index up is really a placeholder
at the end of that rasqueo.
[B]
[C] [F#] So nice and gentle [E] gives more contrast to the next section [F#] and we're tapping.
We [B] have a golpe when we come down with our [G]
thumb really as [C] an alzapua type.
[F#]
[B] [C] [D] [C] [B]
So that section slowly.
[C] [B]
[C] [B] [F#]
[B] [F#]
[G#] Now we end here on the and of 11 so that would come back right in to our 12.
If we continue [C] that through [B] that's [G#]
[B] [C] [F#]
[B]
[C] [F#]
[B] [G#] how we would tie it in to our next falseta.
Play the whole thing slowly.
[B]
[F#]
[B] [C]
[D] [F] [E] [G#] [B]
[F#] [Em] [F#] [F]
[G#] [D] [Cm] [B] [G#]
[B] [C] [F#]
[B] [F#]
[C] Thank you for joining me today.
This transcription and many others can be found for free on my website.
Just follow the link below.
It's deoromusic.com.
Thank you very much.
[B] [C] [Dm] [C] [B] [F#]
[D#] [Cm] [B]
[C] [Dm] [C] [B]
[F#] [D] [Cm] [B]
[F#] [B]
[C] So here we have a look at a Boleria rhythm falsetta that would fit nicely between two
solo falsettas or just a little rhythm interlude between verses for a singer.
[B] So we start out with a rasqueo section.
[C]
[F#] [B]
Now with our rasqueo we [G#] want to have a nice sharp individual rasqueo so locking our fingers
into our thumb and our accent is going to be when we come out of the rasqueo with the
M finger on beat 3 and the and of 10, a syncopation for 10.
[B]
[C] [F#]
[B] [G#]
Now we continue on, we start out with rasqueo, move into pulgar.
Now when we switch [B] we [C] [D]
[F] [E] [Cm] [B] can see that we're just bringing our thumb which is already locked
into string 6, we're just rotating it around [A]
to bring our pulgar [D] [A#m] and [E]
[G#] [B] that makes the [G#] transition very easy.
We go from this to this for our pulgar.
Also you want to be aware of where the hammers and slurs are because that makes the line
legato as it should be and also really gives the feel, the placement of where you're picking versus slurring.
Again that section [B] and [C]
[G#] [A#m] [E] [Cm] [B]
then continuing on from there.
[C] [B] [F#] [B] [G]
[F#] [F] [D#] [D] [Cm] [B]
Again, very legato section.
[N] [C] [B] [F#]
[B] [G] [F#] [F] [D#] [D]
[Cm] [B]
Continuing on from there, we'll go back in to a rasqueo section and then finish it off with pulgar.
[C] [F#] [B]
So that whole section [C] [B]
and [G#] [B] [F#]
[B]
we can see there that [G#] our index up is really a placeholder
at the end of that rasqueo.
[B]
[C] [F#] So nice and gentle [E] gives more contrast to the next section [F#] and we're tapping.
We [B] have a golpe when we come down with our [G]
thumb really as [C] an alzapua type.
[F#]
[B] [C] [D] [C] [B]
So that section slowly.
[C] [B]
[C] [B] [F#]
[B] [F#]
[G#] Now we end here on the and of 11 so that would come back right in to our 12.
If we continue [C] that through [B] that's [G#]
[B] [C] [F#]
[B]
[C] [F#]
[B] [G#] how we would tie it in to our next falseta.
Play the whole thing slowly.
[B]
[F#]
[B] [C]
[D] [F] [E] [G#] [B]
[F#] [Em] [F#] [F]
[G#] [D] [Cm] [B] [G#]
[B] [C] [F#]
[B] [F#]
[C] Thank you for joining me today.
This transcription and many others can be found for free on my website.
Just follow the link below.
It's deoromusic.com.
Thank you very much.
[B] [C] [Dm] [C] [B] [F#]
[D#] [Cm] [B]
Key:
B
C
F#
G#
D
B
C
F#
[B] _ _ [Am] _ _ _ _ [B] _ _
_ _ [C] _ _ [Dm] _ _ [C] _ [B] _
[F#] _ _ _ _ [D] _ [Cm] _ _ [B] _
_ _ _ [F#] _ _ _ _ [B] _
_ _ _ [C] _ _ So here we have a look at a Boleria rhythm falsetta that would fit nicely between _ two
solo falsettas or just a little rhythm _ _ interlude between verses for a singer.
[B] So we start out with a rasqueo section.
_ _ _ [C] _
_ [F#] _ _ _ _ _ _ [B] _
_ _ _ Now with our rasqueo we [G#] want to have a nice sharp individual _ rasqueo so locking our fingers
into our thumb _ and our accent is going to be when we come out of the rasqueo _ _ with the
M finger on beat 3 and the and of 10, a syncopation for 10.
_ [B] _
_ _ _ [C] _ _ [F#] _ _ _
_ _ [B] _ _ [G#] _ _ _ _
_ Now we continue on, we start out with rasqueo, move into pulgar.
Now when we switch _ [B] we _ [C] _ _ _ [D] _
[F] _ [E] _ [Cm] _ [B] _ _ can see that we're just bringing our thumb which is already _ locked
into string 6, we're just rotating it around [A]
to bring our pulgar [D] _ [A#m] and [E] _
[G#] _ [B] _ _ that makes the [G#] transition very easy.
We go from this to this for our pulgar. _
_ Also you want to be aware of where the hammers and slurs are because that makes the _ line
legato as it should be and also really gives the feel, the placement of where you're picking versus slurring. _ _
Again that section [B] and _ [C] _
_ _ _ [G#] _ [A#m] _ [E] _ [Cm] _ [B] _
_ _ then continuing on from there. _
[C] _ [B] _ _ [F#] _ _ _ [B] _ [G] _
[F#] _ [F] _ _ [D#] _ [D] _ [Cm] _ _ [B] _
_ _ Again, very legato section.
_ [N] _ _ _ [C] _ [B] _ _ [F#] _
_ [B] _ [G] _ [F#] _ _ [F] _ [D#] _ [D] _
[Cm] _ _ _ [B] _ _ _ _ _
_ _ Continuing on from there, _ _ we'll go back in to a _ rasqueo section and then finish it off with pulgar.
[C] _ [F#] _ _ _ [B] _ _ _ _
_ _ So that whole section [C] _ [B]
and [G#] _ _ [B] _ _ [F#] _ _ _
_ _ _ _ _ _ [B] _ _
we can see there that [G#] our index up is really a placeholder
at the end of that rasqueo.
_ [B] _
_ [C] _ _ [F#] _ _ So nice and gentle [E] gives more contrast to the next section [F#] and we're tapping.
_ _ We [B] _ have a golpe when we come down with our [G]
thumb really as [C] an alzapua type.
_ [F#] _ _ _
_ [B] _ _ [C] _ [D] _ [C] _ _ [B] _
_ So that section slowly.
[C] _ _ [B] _
_ [C] _ [B] _ _ _ [F#] _ _ _
_ _ _ _ _ [B] _ _ [F#] _
_ _ _ [G#] _ _ _ Now we end here on the and of 11 _ so _ _ that would come back right in to our 12.
If we continue [C] that through [B] that's [G#] _
_ [B] _ _ [C] _ _ _ [F#] _ _
_ _ _ [B] _ _ _ _ _
_ [C] _ [F#] _ _ _ _ _ _
[B] _ _ [G#] _ _ how we would tie it in to our next _ falseta. _ _
Play the whole thing slowly.
_ _ _ [B] _
_ [F#] _ _ _ _ _ _ _
_ [B] _ _ _ _ _ _ [C] _
_ _ _ [D] _ [F] _ [E] _ [G#] _ [B] _
_ [F#] _ _ _ [Em] _ [F#] _ _ [F] _
[G#] _ [D] _ [Cm] _ _ _ [B] _ _ [G#] _
[B] _ _ [C] _ _ _ [F#] _ _ _
_ [B] _ _ [F#] _ _ _ _ _
_ _ _ _ _ _ _ _
_ [C] _ Thank you for joining me today. _
This transcription and many others can be found for free on my website.
Just follow the link below.
It's _ deoromusic.com.
Thank you very much.
[B] _ [C] _ _ _ [Dm] _ [C] _ [B] _ _ [F#] _ _
_ _ [D#] _ [Cm] _ _ [B] _ _ _
_ _ [C] _ _ [Dm] _ _ [C] _ [B] _
[F#] _ _ _ _ [D] _ [Cm] _ _ [B] _
_ _ _ [F#] _ _ _ _ [B] _
_ _ _ [C] _ _ So here we have a look at a Boleria rhythm falsetta that would fit nicely between _ two
solo falsettas or just a little rhythm _ _ interlude between verses for a singer.
[B] So we start out with a rasqueo section.
_ _ _ [C] _
_ [F#] _ _ _ _ _ _ [B] _
_ _ _ Now with our rasqueo we [G#] want to have a nice sharp individual _ rasqueo so locking our fingers
into our thumb _ and our accent is going to be when we come out of the rasqueo _ _ with the
M finger on beat 3 and the and of 10, a syncopation for 10.
_ [B] _
_ _ _ [C] _ _ [F#] _ _ _
_ _ [B] _ _ [G#] _ _ _ _
_ Now we continue on, we start out with rasqueo, move into pulgar.
Now when we switch _ [B] we _ [C] _ _ _ [D] _
[F] _ [E] _ [Cm] _ [B] _ _ can see that we're just bringing our thumb which is already _ locked
into string 6, we're just rotating it around [A]
to bring our pulgar [D] _ [A#m] and [E] _
[G#] _ [B] _ _ that makes the [G#] transition very easy.
We go from this to this for our pulgar. _
_ Also you want to be aware of where the hammers and slurs are because that makes the _ line
legato as it should be and also really gives the feel, the placement of where you're picking versus slurring. _ _
Again that section [B] and _ [C] _
_ _ _ [G#] _ [A#m] _ [E] _ [Cm] _ [B] _
_ _ then continuing on from there. _
[C] _ [B] _ _ [F#] _ _ _ [B] _ [G] _
[F#] _ [F] _ _ [D#] _ [D] _ [Cm] _ _ [B] _
_ _ Again, very legato section.
_ [N] _ _ _ [C] _ [B] _ _ [F#] _
_ [B] _ [G] _ [F#] _ _ [F] _ [D#] _ [D] _
[Cm] _ _ _ [B] _ _ _ _ _
_ _ Continuing on from there, _ _ we'll go back in to a _ rasqueo section and then finish it off with pulgar.
[C] _ [F#] _ _ _ [B] _ _ _ _
_ _ So that whole section [C] _ [B]
and [G#] _ _ [B] _ _ [F#] _ _ _
_ _ _ _ _ _ [B] _ _
we can see there that [G#] our index up is really a placeholder
at the end of that rasqueo.
_ [B] _
_ [C] _ _ [F#] _ _ So nice and gentle [E] gives more contrast to the next section [F#] and we're tapping.
_ _ We [B] _ have a golpe when we come down with our [G]
thumb really as [C] an alzapua type.
_ [F#] _ _ _
_ [B] _ _ [C] _ [D] _ [C] _ _ [B] _
_ So that section slowly.
[C] _ _ [B] _
_ [C] _ [B] _ _ _ [F#] _ _ _
_ _ _ _ _ [B] _ _ [F#] _
_ _ _ [G#] _ _ _ Now we end here on the and of 11 _ so _ _ that would come back right in to our 12.
If we continue [C] that through [B] that's [G#] _
_ [B] _ _ [C] _ _ _ [F#] _ _
_ _ _ [B] _ _ _ _ _
_ [C] _ [F#] _ _ _ _ _ _
[B] _ _ [G#] _ _ how we would tie it in to our next _ falseta. _ _
Play the whole thing slowly.
_ _ _ [B] _
_ [F#] _ _ _ _ _ _ _
_ [B] _ _ _ _ _ _ [C] _
_ _ _ [D] _ [F] _ [E] _ [G#] _ [B] _
_ [F#] _ _ _ [Em] _ [F#] _ _ [F] _
[G#] _ [D] _ [Cm] _ _ _ [B] _ _ [G#] _
[B] _ _ [C] _ _ _ [F#] _ _ _
_ [B] _ _ [F#] _ _ _ _ _
_ _ _ _ _ _ _ _
_ [C] _ Thank you for joining me today. _
This transcription and many others can be found for free on my website.
Just follow the link below.
It's _ deoromusic.com.
Thank you very much.
[B] _ [C] _ _ _ [Dm] _ [C] _ [B] _ _ [F#] _ _
_ _ [D#] _ [Cm] _ _ [B] _ _ _