Chords for Isaiah Sharkey on the Gospel Vamp and Spanky Alford Riffs | Reverb Tips and Tricks
Tempo:
109.4 bpm
Chords used:
E
B
G
D
Em
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[E] [D] [Abm] [G]
[Em] [B]
[Em]
[Db] [Dm] Well, one guy, [B] it's [Eb] pretty funny because a lot of people say that we have a [G] lot of similarities.
[E] His name is [Dbm] Chalmers Spanky Alford.
And [F] he passed away maybe 2008.
[E] But he used to play with D'Angelo.
He did a lot of gospel, [Gbm] iconic albums.
He would do [Gb] things that was really, [Ebm] really, really, really, really good.
He would take something [E] and stretch [Gm] one chord out.
He'll take a G minor.
[Bb]
[A] [Bb] I
[Gm] [Bb]
would take [E] that concept and do my own thing with it.
[Bb] So I'd be like, [Gm] [Bb]
[Dm] [F]
he would do this, [G] [F] or he'd do [B] [F] [Eb]
[Cm] [D] [G]
[E] [Eb]
[Fm] [G]
[Eb] [E] [Bbm]
[Gm] [F] [N] whatever.
[D] He'd do stuff like that.
But a lot of stuff I got concepts from him for my style of playing.
He just had this quartet thing happen.
Oh, speaking of quartet, gospel.
One thing you can [E] learn, they call it a drive when you're getting at the end of the, most
people call it a vamp, but Ed Cortey called it a drive.
So they would take, like blues, gospel, some of the same roots.
So you do this, one, five.
So you have this.
Always keeping this, you're going to add these notes.
Third, five, six.
[B] [E]
[B]
Now this is where the magic happens.
You practice that.
Start putting the three, six, and the five in it.
Now a quartet [Db] is a lot faster.
So it's like a
[G]
[E] Should be like this.
[B] [E]
[B] [E]
You can start using other things that you know.
[D]
[E] [Em] [E] All that's a
[B]
[Em] So you take all that together.
[E]
[B]
[E]
[Em] [E]
[B] [E]
[D] [E] [N]
[Em] [B]
[Em]
[Db] [Dm] Well, one guy, [B] it's [Eb] pretty funny because a lot of people say that we have a [G] lot of similarities.
[E] His name is [Dbm] Chalmers Spanky Alford.
And [F] he passed away maybe 2008.
[E] But he used to play with D'Angelo.
He did a lot of gospel, [Gbm] iconic albums.
He would do [Gb] things that was really, [Ebm] really, really, really, really good.
He would take something [E] and stretch [Gm] one chord out.
He'll take a G minor.
[Bb]
[A] [Bb] I
[Gm] [Bb]
would take [E] that concept and do my own thing with it.
[Bb] So I'd be like, [Gm] [Bb]
[Dm] [F]
he would do this, [G] [F] or he'd do [B] [F] [Eb]
[Cm] [D] [G]
[E] [Eb]
[Fm] [G]
[Eb] [E] [Bbm]
[Gm] [F] [N] whatever.
[D] He'd do stuff like that.
But a lot of stuff I got concepts from him for my style of playing.
He just had this quartet thing happen.
Oh, speaking of quartet, gospel.
One thing you can [E] learn, they call it a drive when you're getting at the end of the, most
people call it a vamp, but Ed Cortey called it a drive.
So they would take, like blues, gospel, some of the same roots.
So you do this, one, five.
So you have this.
Always keeping this, you're going to add these notes.
Third, five, six.
[B] [E]
[B]
Now this is where the magic happens.
You practice that.
Start putting the three, six, and the five in it.
Now a quartet [Db] is a lot faster.
So it's like a
[G]
[E] Should be like this.
[B] [E]
[B] [E]
You can start using other things that you know.
[D]
[E] [Em] [E] All that's a
[B]
[Em] So you take all that together.
[E]
[B]
[E]
[Em] [E]
[B] [E]
[D] [E] [N]
Key:
E
B
G
D
Em
E
B
G
_ [E] _ _ [D] _ _ _ [Abm] _ [G] _
_ [Em] _ _ _ [B] _ _ _ _
_ _ _ _ _ _ [Em] _ _
_ [Db] _ [Dm] Well, one guy, [B] _ it's [Eb] pretty funny because a lot of people say that we have a [G] lot of similarities.
[E] His name is [Dbm] Chalmers Spanky Alford.
And [F] he passed away maybe 2008.
[E] _ But he used to play with D'Angelo.
He did a lot of gospel, _ [Gbm] iconic _ albums.
He would do [Gb] things that was really, [Ebm] really, really, really, really good.
He would take something [E] and stretch [Gm] one chord out.
He'll take a G minor.
_ _ _ _ _ [Bb] _ _
_ _ _ [A] _ [Bb] I _ _
_ [Gm] _ _ _ _ _ [Bb] _ _
_ _ _ _ would take [E] that concept and do my own thing with it.
[Bb] So I'd be like, _ [Gm] _ _ _ [Bb] _ _
[Dm] _ _ _ _ [F] _ _ _
he would do this, _ [G] _ _ [F] or he'd do [B] _ _ _ [F] _ _ [Eb] _ _ _
[Cm] _ _ _ [D] _ _ _ [G] _ _
_ _ [E] _ _ _ _ _ [Eb] _
_ _ _ [Fm] _ _ [G] _ _ _
[Eb] _ _ _ [E] _ _ _ [Bbm] _ _
[Gm] _ _ _ _ [F] _ _ [N] whatever.
_ [D] _ _ _ _ _ He'd do stuff like that.
But a lot of stuff I got concepts from him for my style of playing.
He just had this quartet thing happen.
Oh, speaking of quartet, gospel.
One thing you can [E] learn, they call it a drive when you're getting at the end of the, most
people call it a vamp, but Ed Cortey called it a drive.
_ So they would take, like blues, gospel, some of the same roots.
So you do _ _ this, one, five. _ _ _
_ _ _ _ So you have this. _
_ _ _ Always keeping this, you're going to add these notes.
_ _ _ _ Third, five, six.
_ _ [B] _ _ [E] _ _
_ _ _ _ _ _ [B] _ _
_ _ Now this is where the magic happens.
_ _ You practice that. _ _
_ _ _ Start putting the three, six, and the five in it. _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
Now a quartet [Db] is a lot faster.
So it's like a_
_ [G] _
_ _ [E] Should be like this. _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [B] _ _ _ [E] _ _
_ _ [B] _ _ _ [E] _ _
You can start using other things that you know.
_ _ [D] _ _
[E] _ _ [Em] _ _ [E] _ _ All that's a_
[B] _ _ _ _ _
_ _ _ [Em] So you take all that together. _
[E] _ _ _ _ _ _ _ _
_ _ _ _ _ _ [B] _ _
_ _ _ _ _ _ [E] _ _
[Em] _ _ [E] _ _ _ _ _ _
_ _ _ [B] _ _ _ [E] _ _
[D] _ _ [E] _ _ _ _ _ [N] _
_ [Em] _ _ _ [B] _ _ _ _
_ _ _ _ _ _ [Em] _ _
_ [Db] _ [Dm] Well, one guy, [B] _ it's [Eb] pretty funny because a lot of people say that we have a [G] lot of similarities.
[E] His name is [Dbm] Chalmers Spanky Alford.
And [F] he passed away maybe 2008.
[E] _ But he used to play with D'Angelo.
He did a lot of gospel, _ [Gbm] iconic _ albums.
He would do [Gb] things that was really, [Ebm] really, really, really, really good.
He would take something [E] and stretch [Gm] one chord out.
He'll take a G minor.
_ _ _ _ _ [Bb] _ _
_ _ _ [A] _ [Bb] I _ _
_ [Gm] _ _ _ _ _ [Bb] _ _
_ _ _ _ would take [E] that concept and do my own thing with it.
[Bb] So I'd be like, _ [Gm] _ _ _ [Bb] _ _
[Dm] _ _ _ _ [F] _ _ _
he would do this, _ [G] _ _ [F] or he'd do [B] _ _ _ [F] _ _ [Eb] _ _ _
[Cm] _ _ _ [D] _ _ _ [G] _ _
_ _ [E] _ _ _ _ _ [Eb] _
_ _ _ [Fm] _ _ [G] _ _ _
[Eb] _ _ _ [E] _ _ _ [Bbm] _ _
[Gm] _ _ _ _ [F] _ _ [N] whatever.
_ [D] _ _ _ _ _ He'd do stuff like that.
But a lot of stuff I got concepts from him for my style of playing.
He just had this quartet thing happen.
Oh, speaking of quartet, gospel.
One thing you can [E] learn, they call it a drive when you're getting at the end of the, most
people call it a vamp, but Ed Cortey called it a drive.
_ So they would take, like blues, gospel, some of the same roots.
So you do _ _ this, one, five. _ _ _
_ _ _ _ So you have this. _
_ _ _ Always keeping this, you're going to add these notes.
_ _ _ _ Third, five, six.
_ _ [B] _ _ [E] _ _
_ _ _ _ _ _ [B] _ _
_ _ Now this is where the magic happens.
_ _ You practice that. _ _
_ _ _ Start putting the three, six, and the five in it. _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
Now a quartet [Db] is a lot faster.
So it's like a_
_ [G] _
_ _ [E] Should be like this. _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [B] _ _ _ [E] _ _
_ _ [B] _ _ _ [E] _ _
You can start using other things that you know.
_ _ [D] _ _
[E] _ _ [Em] _ _ [E] _ _ All that's a_
[B] _ _ _ _ _
_ _ _ [Em] So you take all that together. _
[E] _ _ _ _ _ _ _ _
_ _ _ _ _ _ [B] _ _
_ _ _ _ _ _ [E] _ _
[Em] _ _ [E] _ _ _ _ _ _
_ _ _ [B] _ _ _ [E] _ _
[D] _ _ [E] _ _ _ _ _ [N] _