Chords for Lou Reed - Romeo Had Juliette (Official Music Video)
Tempo:
127.8 bpm
Chords used:
A
E
D
G
C#m
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
I can't do that all day, put it that way.
When I have it, I'm really happy about it.
But it's the rhythm [C#m] and the flow and the feeling you get,
and also the information it imparts.
Just the sound of them and the rhythm, I really love that a [G] lot.
Chandler also wrote a lot about the city, you know, Los Angeles.
And also it was quite romantic.
There is something romantic in your songs.
I mean, it comes in and out, but not in all of them.
New York romance.
I've got a song called Tell It to Your Heart that I think is one of the prettiest songs I've ever wrote about the city.
It's kind of mixed romance, isn't it?
Standing by the Hudson River's edge at night,
looking out across the Jersey Shore at a neon light,
spelling out a cola's name, your name should be dancing,
beamed by satellites larger than any billboard in Times Square.
I like that.
That's really pretty.
I think that's one of the things about Romeo and Juliet, actually, Romeo and Juliet,
is that romance, but it's not at all sentimental.
What did Betty Davis say?
I despise cheap sentiment.
I really do.
Except in pop songs.
I mean, some of the pop songs I like are really cheap sentiment.
[A] Especially if you have a couple of drinks, you really like that stuff.
And part of me really likes that, too, but not for my records.
[E] I want an emotional [D] response out of the song,
but not a cheap one,
[A] because you have to believe that it's true.
[E]
[D]
[A] Between [E]
[D]
[A] the twisted stars, [E] the flattered lines,
the faulty [D] map that brought Columbus to New York,
[G] [A] the twixt between the east and [E] west,
and comes to her wearing a leather vest,
the [D] earth screams and shudders to a halt.
[A] A diamond crucifix in his [E] ear,
his use to help ward off [D] the fear that he has left his soul in someone's rented car,
[A] and flying side to side,
his face behind [E] a mop,
to clean the mess that he has dropped,
[D] to the life of Lyson, Juliet, Belle.
[A] And Romeo wanted [E] Juliet,
[D] and Juliet wanted Romeo,
[A] and Romeo wanted [E] Juliet,
[D] and Juliet wanted her Romeo.
[A] Romeo, rotten, [E] meek as he swears his shoulders and curses [D] Jesus,
runs his hands through his black ponytail.
[A] He's thinking of his lonely [E] room,
the sooth that by his bed gives off a [D] stink,
and then he smells the perfume in her eyes,
her voice is like a bell.
[A] [E]
[D]
[A] [E]
[D]
[A] Outside, the streets are [E] streaming,
the crack dealers are dreaming [D] of an Uzi someone had just scored.
[A] I bet you I could hit that [E] light,
with my one good arm behind my [D] back,
to this little Joey Diaz.
[A] Hey brother, give me another tote,
[E] those downtown hoots are no damn good,
those [D] Italians need a lesson of Ita.
That [A] cop who died in Harlem,
[E] hope he got the warning,
I [D] was laughing when his brains run out to the street.
[A] And Romeo wanted Juliet,
[E]
[D] Juliet had her Romeo,
[A] and Romeo wanted [E] Juliet,
[D] and Juliet had his Romeo.
[A] I'll take Manhattan in a [E] garbage bag,
with Latin writ on it that says,
[D] it's hard to give a shit these days.
[A] Manhattan's sinking like a [E] rocket to the filthy Hudson,
what a shock, [D] they wrote a book about it,
they said it's like ancient Rome.
[A] The perfume [E] burns his eyes,
[D] cold internally to his thighs,
and [A] then something flickered for a minute,
[E]
and [D] then it vanished and was gone.
[A] [E]
[D]
[A] [E]
[D]
[A]
The amazing Lou Reed in New York, on New York,
and Mary Harron talked to him.
And that's all for tonight, tomorrow night.
When I have it, I'm really happy about it.
But it's the rhythm [C#m] and the flow and the feeling you get,
and also the information it imparts.
Just the sound of them and the rhythm, I really love that a [G] lot.
Chandler also wrote a lot about the city, you know, Los Angeles.
And also it was quite romantic.
There is something romantic in your songs.
I mean, it comes in and out, but not in all of them.
New York romance.
I've got a song called Tell It to Your Heart that I think is one of the prettiest songs I've ever wrote about the city.
It's kind of mixed romance, isn't it?
Standing by the Hudson River's edge at night,
looking out across the Jersey Shore at a neon light,
spelling out a cola's name, your name should be dancing,
beamed by satellites larger than any billboard in Times Square.
I like that.
That's really pretty.
I think that's one of the things about Romeo and Juliet, actually, Romeo and Juliet,
is that romance, but it's not at all sentimental.
What did Betty Davis say?
I despise cheap sentiment.
I really do.
Except in pop songs.
I mean, some of the pop songs I like are really cheap sentiment.
[A] Especially if you have a couple of drinks, you really like that stuff.
And part of me really likes that, too, but not for my records.
[E] I want an emotional [D] response out of the song,
but not a cheap one,
[A] because you have to believe that it's true.
[E]
[D]
[A] Between [E]
[D]
[A] the twisted stars, [E] the flattered lines,
the faulty [D] map that brought Columbus to New York,
[G] [A] the twixt between the east and [E] west,
and comes to her wearing a leather vest,
the [D] earth screams and shudders to a halt.
[A] A diamond crucifix in his [E] ear,
his use to help ward off [D] the fear that he has left his soul in someone's rented car,
[A] and flying side to side,
his face behind [E] a mop,
to clean the mess that he has dropped,
[D] to the life of Lyson, Juliet, Belle.
[A] And Romeo wanted [E] Juliet,
[D] and Juliet wanted Romeo,
[A] and Romeo wanted [E] Juliet,
[D] and Juliet wanted her Romeo.
[A] Romeo, rotten, [E] meek as he swears his shoulders and curses [D] Jesus,
runs his hands through his black ponytail.
[A] He's thinking of his lonely [E] room,
the sooth that by his bed gives off a [D] stink,
and then he smells the perfume in her eyes,
her voice is like a bell.
[A] [E]
[D]
[A] [E]
[D]
[A] Outside, the streets are [E] streaming,
the crack dealers are dreaming [D] of an Uzi someone had just scored.
[A] I bet you I could hit that [E] light,
with my one good arm behind my [D] back,
to this little Joey Diaz.
[A] Hey brother, give me another tote,
[E] those downtown hoots are no damn good,
those [D] Italians need a lesson of Ita.
That [A] cop who died in Harlem,
[E] hope he got the warning,
I [D] was laughing when his brains run out to the street.
[A] And Romeo wanted Juliet,
[E]
[D] Juliet had her Romeo,
[A] and Romeo wanted [E] Juliet,
[D] and Juliet had his Romeo.
[A] I'll take Manhattan in a [E] garbage bag,
with Latin writ on it that says,
[D] it's hard to give a shit these days.
[A] Manhattan's sinking like a [E] rocket to the filthy Hudson,
what a shock, [D] they wrote a book about it,
they said it's like ancient Rome.
[A] The perfume [E] burns his eyes,
[D] cold internally to his thighs,
and [A] then something flickered for a minute,
[E]
and [D] then it vanished and was gone.
[A] [E]
[D]
[A] [E]
[D]
[A]
The amazing Lou Reed in New York, on New York,
and Mary Harron talked to him.
And that's all for tonight, tomorrow night.
Key:
A
E
D
G
C#m
A
E
D
_ _ _ I can't do that all day, put it that way.
When I have it, I'm _ really happy about it.
But it's the rhythm [C#m] and the flow and the feeling you get,
and also the information it imparts.
Just the sound of them and the rhythm, I really love that a [G] lot.
_ _ Chandler also wrote a lot about the city, you know, Los Angeles.
_ And also it was quite romantic.
There is something romantic _ in your songs.
I mean, it comes in and out, but _ not in all of them.
_ New York romance. _ _
I've got a song called Tell It to Your Heart that I think is one of the prettiest songs I've ever wrote about the city. _ _ _ _ _
It's kind of mixed romance, isn't it?
Standing by the Hudson River's edge at night,
looking out across the Jersey Shore at a neon light,
spelling out a cola's name, your name should be dancing,
beamed by satellites larger than any billboard in Times Square.
I like that. _
That's really pretty.
_ I think that's one of the things about Romeo and Juliet, actually, Romeo and Juliet,
is that romance, but it's not at all _ sentimental.
_ _ _ What did Betty Davis say?
I despise cheap sentiment. _ _ _ _ _
_ I really do.
_ Except in pop songs.
I mean, some of the pop songs I like are really cheap sentiment.
[A] Especially if you have a couple of drinks, you really like that stuff.
And part of me really likes that, too, but not for my records.
_ _ _ [E] _ I want an emotional [D] response out of the song,
but not a cheap one,
[A] because you have to believe that it's true.
[E] _ _
_ _ [D] _ _ _ _ _ _
_ _ [A] Between _ _ [E] _ _
_ _ [D] _ _ _ _ _ _
_ _ [A] _ the twisted stars, [E] the flattered lines,
the faulty [D] map that brought Columbus to New York,
_ _ [G] [A] the twixt between the east and [E] west,
and comes to her wearing a leather vest,
the [D] earth screams and shudders to a halt. _ _
_ _ [A] A diamond crucifix in his [E] ear,
his use to help ward off [D] the fear that he has left his soul in someone's rented car,
_ _ [A] and flying side to side,
his face behind [E] a mop,
to clean the mess that he has dropped,
[D] to the life of Lyson, Juliet, Belle. _
_ _ [A] And Romeo wanted [E] Juliet, _
_ _ [D] and Juliet wanted Romeo, _
_ _ [A] and Romeo wanted [E] Juliet, _
_ _ [D] and Juliet wanted her Romeo. _
_ _ _ [A] Romeo, rotten, [E] meek as he swears his shoulders and curses [D] Jesus,
runs his hands through his black ponytail. _ _
_ _ [A] He's thinking of his lonely [E] room,
the sooth that by his bed gives off a [D] stink,
and then he smells the perfume in her eyes,
her voice is like a bell.
_ [A] _ _ _ _ _ [E] _
_ _ [D] _ _ _ _ _ _
_ _ [A] _ _ _ _ _ [E] _
_ _ [D] _ _ _ _ _ _
_ _ [A] Outside, the streets are [E] streaming,
the crack dealers are dreaming [D] of an Uzi someone had just scored. _ _
_ _ [A] I bet you I could hit that [E] light,
with my one good arm behind my [D] back,
to this little Joey Diaz. _ _
_ _ [A] Hey brother, give me another tote,
[E] those downtown hoots are no damn good,
those [D] Italians need a lesson of Ita. _
That _ [A] cop who died in Harlem,
[E] hope he got the warning,
I [D] was laughing when his brains run out to the street. _
_ [A] And Romeo wanted Juliet,
[E] _ _
_ _ [D] Juliet had her Romeo, _
_ [A] and Romeo wanted [E] Juliet, _
_ _ [D] and Juliet had his Romeo. _
_ _ [A] I'll take Manhattan in a [E] garbage bag,
with Latin writ on it that says,
[D] it's hard to give a shit these days. _ _
_ _ [A] _ Manhattan's sinking like a [E] rocket to the filthy Hudson,
what a shock, [D] they wrote a book about it,
they said it's like ancient Rome.
_ _ [A] _ The perfume [E] burns his eyes,
_ _ [D] cold internally to his thighs, _
and [A] then something flickered for a minute,
[E] _ _
and [D] then it vanished and was gone. _
_ _ [A] _ _ _ _ _ [E] _
_ _ [D] _ _ _ _ _ _
_ _ [A] _ _ _ _ _ [E] _
_ _ [D] _ _ _ _ _ _
_ _ _ [A] _ _ _ _ _
_ _ _ _ _ _ _ _
The amazing Lou Reed in New York, on New York,
and Mary Harron talked to him.
And that's all for tonight, tomorrow night.
When I have it, I'm _ really happy about it.
But it's the rhythm [C#m] and the flow and the feeling you get,
and also the information it imparts.
Just the sound of them and the rhythm, I really love that a [G] lot.
_ _ Chandler also wrote a lot about the city, you know, Los Angeles.
_ And also it was quite romantic.
There is something romantic _ in your songs.
I mean, it comes in and out, but _ not in all of them.
_ New York romance. _ _
I've got a song called Tell It to Your Heart that I think is one of the prettiest songs I've ever wrote about the city. _ _ _ _ _
It's kind of mixed romance, isn't it?
Standing by the Hudson River's edge at night,
looking out across the Jersey Shore at a neon light,
spelling out a cola's name, your name should be dancing,
beamed by satellites larger than any billboard in Times Square.
I like that. _
That's really pretty.
_ I think that's one of the things about Romeo and Juliet, actually, Romeo and Juliet,
is that romance, but it's not at all _ sentimental.
_ _ _ What did Betty Davis say?
I despise cheap sentiment. _ _ _ _ _
_ I really do.
_ Except in pop songs.
I mean, some of the pop songs I like are really cheap sentiment.
[A] Especially if you have a couple of drinks, you really like that stuff.
And part of me really likes that, too, but not for my records.
_ _ _ [E] _ I want an emotional [D] response out of the song,
but not a cheap one,
[A] because you have to believe that it's true.
[E] _ _
_ _ [D] _ _ _ _ _ _
_ _ [A] Between _ _ [E] _ _
_ _ [D] _ _ _ _ _ _
_ _ [A] _ the twisted stars, [E] the flattered lines,
the faulty [D] map that brought Columbus to New York,
_ _ [G] [A] the twixt between the east and [E] west,
and comes to her wearing a leather vest,
the [D] earth screams and shudders to a halt. _ _
_ _ [A] A diamond crucifix in his [E] ear,
his use to help ward off [D] the fear that he has left his soul in someone's rented car,
_ _ [A] and flying side to side,
his face behind [E] a mop,
to clean the mess that he has dropped,
[D] to the life of Lyson, Juliet, Belle. _
_ _ [A] And Romeo wanted [E] Juliet, _
_ _ [D] and Juliet wanted Romeo, _
_ _ [A] and Romeo wanted [E] Juliet, _
_ _ [D] and Juliet wanted her Romeo. _
_ _ _ [A] Romeo, rotten, [E] meek as he swears his shoulders and curses [D] Jesus,
runs his hands through his black ponytail. _ _
_ _ [A] He's thinking of his lonely [E] room,
the sooth that by his bed gives off a [D] stink,
and then he smells the perfume in her eyes,
her voice is like a bell.
_ [A] _ _ _ _ _ [E] _
_ _ [D] _ _ _ _ _ _
_ _ [A] _ _ _ _ _ [E] _
_ _ [D] _ _ _ _ _ _
_ _ [A] Outside, the streets are [E] streaming,
the crack dealers are dreaming [D] of an Uzi someone had just scored. _ _
_ _ [A] I bet you I could hit that [E] light,
with my one good arm behind my [D] back,
to this little Joey Diaz. _ _
_ _ [A] Hey brother, give me another tote,
[E] those downtown hoots are no damn good,
those [D] Italians need a lesson of Ita. _
That _ [A] cop who died in Harlem,
[E] hope he got the warning,
I [D] was laughing when his brains run out to the street. _
_ [A] And Romeo wanted Juliet,
[E] _ _
_ _ [D] Juliet had her Romeo, _
_ [A] and Romeo wanted [E] Juliet, _
_ _ [D] and Juliet had his Romeo. _
_ _ [A] I'll take Manhattan in a [E] garbage bag,
with Latin writ on it that says,
[D] it's hard to give a shit these days. _ _
_ _ [A] _ Manhattan's sinking like a [E] rocket to the filthy Hudson,
what a shock, [D] they wrote a book about it,
they said it's like ancient Rome.
_ _ [A] _ The perfume [E] burns his eyes,
_ _ [D] cold internally to his thighs, _
and [A] then something flickered for a minute,
[E] _ _
and [D] then it vanished and was gone. _
_ _ [A] _ _ _ _ _ [E] _
_ _ [D] _ _ _ _ _ _
_ _ [A] _ _ _ _ _ [E] _
_ _ [D] _ _ _ _ _ _
_ _ _ [A] _ _ _ _ _
_ _ _ _ _ _ _ _
The amazing Lou Reed in New York, on New York,
and Mary Harron talked to him.
And that's all for tonight, tomorrow night.