Chords for Ray Charles Very Funny

_ Boy, that's gonna be hard to follow.
I know, I know.
Still, I have to say, ladies and gentlemen, at this time, it's my pleasure to present
Flip Wilson and Rachel!
_ _ _ What's that you're saying?
I was about to tell them, well see, I had in mind, that's the whole basis of my trying
to arrange for us to sing together.
I was hoping maybe we could do a tour together.
I think people would love to see you and I together.
I can see the bill now.
Flip Wilson and Rachel!
Look, that won't get it.
You know, I'm mad at you anyway.
You know, goodwill to talk like that ain't gonna help it along at all.
Well, Ray, I had to do it that way because you wouldn't go along with the program.
You refused to sing with me.
I told you I'm mad!
More than mad!
As a matter of fact, hold it.
Hold it.
This is not the proper time or place for us to get into a_
Well, there's 40 million people watching me.
Why won't you sit down here and argue?
Look, when you're mad, you're mad.
And I'm mad.
Now, just a minute, Ray.
Well, let me explain to the audience.
No, no, you better explain this to me.
I don't have to talk to you.
We signed a contract.
We what?
The deal is a deal.
I didn't see what I was doing.
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ Ladies and gentlemen, that was heavy, Ray.
Heavy.
_ _ _ _ Ladies and gentlemen, Ray's a little salty with me.
Now, numerous times I've asked him to let me sing with him.
He refused.
I took many put-downs from this man.
A man I love.
A giant.
A man whose name will live forever in the animals of American music.
Oh, you're getting to me now, baby.
Keep on talking.
You're getting to me.
So, uh, since he was reluctant, I had to resort to a little skull-druggery.
What's that?
Uh, Ray, we cannot get into that at this time.
Oh, oh, okay.
You fast tonight, ain't you, Ray?
Oh, okay.
_ See, now, when Ray's contract was made up,
it was made up in braille so Ray could check it out.
But the clause about him having to sing with me was written in longhand.
_ See, the deal's a deal.
That's how it's always, Ray.
Well, you know what sets you free, Ray Flipp?
I wrote a special little song only for you.
[G] Really?
Oh, yeah.
Now listen to this.
_ _ _ [C] I _ will play [Eb] a [G] simple _ _ melody
I like that.
[Dm] _ [G] _ Like [B] your [Ebm] mama sang [C] to me
[N] Hold it, hold it, hold it, hold it, hold it, hold it, hold it, hold it, now, Ray.
Now, Ray, leave my mama out of this.
_ You don't even know my mama.
I know.
My mama likes you and all your albums.
Then you're going to sit here on that wake show
and drop a bomb in front of 40 million people on my mama.
_ Sorry about that.
Why don't we just do the tune we rehearsed and kill them and go out strong?
All right, all right.
Okay, put a little doodly-doo on that, my [C] big hit. _ _ _
_ _ _ [D] _ [E] _ [F] Please play for me that sweet [C] melody
[Dm] called [G] doodly-doo, [Dm] _ [G] doodly-doo
_ [E] I like the rest, [C] but what I like best is [F] doodly-doo, _ [Cm] _ doodly [Dm]-doo
[Bb] Simple as that, [Bbm] there's nothing much to it
[F] You don't have to sing, you just [C] doodly-do it
[G] I love it so, wherever I go
[F] I doodly [G]-doodly-do
So [F] much, baby.
I [N] love it, Joe.
I love it.
_ _ Before _ _
_ _ [G] _ _ [A] I _ [Dm] _
_ [F] _ [Cm] _ _ _ _ [Am] _ _
_ _ _ _ _ _ _ [N] _
_ _ _ _ _ _ _
say goodnight, I'd like to take a moment to thank my guests.
I'd like to thank Mr.
Phyllis Diller, the committee, and my special guest.
Oh, Ray, here comes a friend of yours.
Oh, Lord. _ _
_ _ Ray Charles, honey!
Oh, Lord.
That's Ray Charles, ain't it?
Yes, it is.
I was going to watch you on television.
I said, that's Ray Charles.
I'm going down there.
Yeah.
Yes, I say, Ray, that last song you sang.
Whip a couple bars on me, [Am] will you? Okay, Mama.
Yes.
[Bm] I [D] was so [G] excited _
_ _ [D] _ _ [G] _ _ _ [D] _
_ _ [G] _ _ _ [C] _ _ _
[A] I [D] was _ _ [G] so _ [D] excited
_ [G] _ I'm [D] going to walk in [G] the dark
I'm going [C] to sing