Deep Kick Chords by Red Hot Chili Peppers
Tempo:
118.8 bpm
Chords used:
A
Em
D
C#
E
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[C#] [E]
[A]
[N]
[A] It [Dm] started when we were [A] little kids.
Free spirits, but already tormented by our own hands, given to us by our parents.
We got together and wrote on desks and slept in laundry rooms near snowy mountains.
And slipped through whatever cracks we could find, minds altered.
Portraying hysterical and tragic characters in a small film.
We loved the dirty city and the journeys away from [D] it.
[A]
We had not yet been or seen our friends, selves, chased in a downward spiral,
leaving a trail of irretrievable vital life juice [Em] behind.
[A] Still, [Em] the brothers' blood [A] comrades' part in the family curse was intangible.
And we lived inside it, laughing with no clothes.
[Em] And everything [A] experimental till death [Em] was upon us, [A]
and our face mortality.
And lots of things seemed futile then, but love and music could save us.
And did.
While the giant grey monster grew more poisoned and volatile around us.
Jaws climbing down, spewing ugly shit around.
Nothing is the same.
So we keep moving.
[Em]
[G]
[Em] Shit!
Went off and got some head guns, I took a ride and got a truck, yeah!
I've been training to the night, I've got a ride with my transvestite.
A few bars in San Francisco, a few bars in San Francisco.
Laughing off in a bar, the room, those gaffers walk the talk, a motherfucker [C] walk the talk.
You young boy, you're on [A] a follow-up call.
[Em]
[C] Get my red packet, slow [A] and steady now.
[Em]
On the stage of universe, no slim shine, top box, no superflex.
Profile and so it's sentence, planning hospital and relentless.
Two bars in London, England, two bars in London, England.
Climbing out of hospital windows, women gets no effort involved.
Come on, kid, and do the [C] no-no!
You young boy, you're [A] on a follow -up call.
[D]
[C] Get my red packet, [D] slow [A] and steady now.
[G]
[A] [G]
[F#m]
[A] [C]
[D]
[D#] [Em]
[D] [A] [Gm]
[A]
[Em]
[A]
[Em] Go!
Go!
We went to Pellican School, jumped off buildings in Zimbabwe.
We sit down, we just can't just run right past, cause they can't catch us.
Two bars in Nellie Papa, two bars in Nellie Papa.
I'm feeling anything that we could.
Gotta sneak into the starwood, I gotta peek into the deep good.
[A]
I remember [C#]
ten years ago in [D]
Hollywood.
We played [Em] with [E] some girls, and we picked some [A] real fat stuff.
But the [D] football [C#] circle [G] said, [D] it's better to regret something [E] you did,
than something [A] you couldn't do.
Yeah, [C#] we were young.
[D] Look at, look [E] at, look at the [A] boys that you play.
Yeah, [C#] see them come, see them go.
[D] I feel like
[E] [Em]
[A]
[C#]
[D] [E]
[A]
[A]
[N]
[A] It [Dm] started when we were [A] little kids.
Free spirits, but already tormented by our own hands, given to us by our parents.
We got together and wrote on desks and slept in laundry rooms near snowy mountains.
And slipped through whatever cracks we could find, minds altered.
Portraying hysterical and tragic characters in a small film.
We loved the dirty city and the journeys away from [D] it.
[A]
We had not yet been or seen our friends, selves, chased in a downward spiral,
leaving a trail of irretrievable vital life juice [Em] behind.
[A] Still, [Em] the brothers' blood [A] comrades' part in the family curse was intangible.
And we lived inside it, laughing with no clothes.
[Em] And everything [A] experimental till death [Em] was upon us, [A]
and our face mortality.
And lots of things seemed futile then, but love and music could save us.
And did.
While the giant grey monster grew more poisoned and volatile around us.
Jaws climbing down, spewing ugly shit around.
Nothing is the same.
So we keep moving.
[Em]
[G]
[Em] Shit!
Went off and got some head guns, I took a ride and got a truck, yeah!
I've been training to the night, I've got a ride with my transvestite.
A few bars in San Francisco, a few bars in San Francisco.
Laughing off in a bar, the room, those gaffers walk the talk, a motherfucker [C] walk the talk.
You young boy, you're on [A] a follow-up call.
[Em]
[C] Get my red packet, slow [A] and steady now.
[Em]
On the stage of universe, no slim shine, top box, no superflex.
Profile and so it's sentence, planning hospital and relentless.
Two bars in London, England, two bars in London, England.
Climbing out of hospital windows, women gets no effort involved.
Come on, kid, and do the [C] no-no!
You young boy, you're [A] on a follow -up call.
[D]
[C] Get my red packet, [D] slow [A] and steady now.
[G]
[A] [G]
[F#m]
[A] [C]
[D]
[D#] [Em]
[D] [A] [Gm]
[A]
[Em]
[A]
[Em] Go!
Go!
We went to Pellican School, jumped off buildings in Zimbabwe.
We sit down, we just can't just run right past, cause they can't catch us.
Two bars in Nellie Papa, two bars in Nellie Papa.
I'm feeling anything that we could.
Gotta sneak into the starwood, I gotta peek into the deep good.
[A]
I remember [C#]
ten years ago in [D]
Hollywood.
We played [Em] with [E] some girls, and we picked some [A] real fat stuff.
But the [D] football [C#] circle [G] said, [D] it's better to regret something [E] you did,
than something [A] you couldn't do.
Yeah, [C#] we were young.
[D] Look at, look [E] at, look at the [A] boys that you play.
Yeah, [C#] see them come, see them go.
[D] I feel like
[E] [Em]
[A]
[C#]
[D] [E]
[A]
Key:
A
Em
D
C#
E
A
Em
D
_ _ _ _ [C#] _ [E] _ _ _
_ _ _ _ _ _ _ [A] _
_ [N] _ _ _ _ _ _ _
_ [A] _ _ _ It [Dm] started when we were [A] little kids.
_ Free spirits, but already tormented by our own hands, given to us by our parents.
_ We got together and wrote on desks and slept in laundry rooms near snowy mountains.
_ And slipped through whatever cracks we could find, minds altered. _ _
_ _ _ _ Portraying hysterical and tragic characters in a small film.
_ We loved the dirty city _ and the journeys away from [D] it.
[A] _
We had not yet been or seen our friends, selves, _ chased in a _ downward spiral, _
leaving a trail of irretrievable vital life juice [Em] behind.
_ _ [A] Still, [Em] the brothers' blood [A] comrades' part in the family curse was intangible.
And we lived inside it, laughing with no clothes.
_ [Em] And everything [A] experimental till death [Em] was upon us, [A] _
and our face mortality.
_ And lots of things seemed futile then, _ but love and music could save us.
And did.
_ While the giant grey monster grew more poisoned and volatile around us.
Jaws climbing down, spewing ugly shit around. _
Nothing is the same.
_ So we keep moving.
_ _ _ _ _ [Em] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ [G] _ _ _ _
_ _ [Em] Shit! _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ Went _ _ _ _ _ _ _ _
off and got some head guns, I took a ride and got a truck, yeah!
I've been training to the night, I've got a ride with my transvestite.
A few bars in San Francisco, a few bars in San Francisco.
Laughing off in a bar, the room, those gaffers walk the talk, a motherfucker [C] walk the talk.
You young boy, you're on [A] a follow-up call.
_ _ [Em] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [C] Get my red _ packet, slow [A] and _ steady now.
_ _ _ [Em] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ On the stage of universe, no slim shine, top box, no superflex.
Profile and so it's sentence, planning hospital and relentless.
Two bars in London, England, two bars in London, England.
Climbing out of hospital windows, women gets no effort involved.
Come on, kid, and do the [C] no-no!
You young boy, you're [A] on a follow _ -up call.
_ [D] _
[C] Get my red packet, [D] slow [A] and _ steady now. _ _ _
[G] _ _ _ _ _ _ _ _
[A] _ _ _ _ _ _ _ [G] _
_ _ _ _ _ _ _ [F#m] _
[A] _ _ _ _ _ _ _ [C] _
_ _ _ _ _ _ _ [D] _
_ _ _ _ _ [D#] _ _ [Em] _
_ [D] _ _ [A] _ [Gm] _ _ _ _
_ _ [A] _ _ _ _ _ _
_ [Em] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [A] _ _
_ [Em] Go!
Go! _ _ _
_ _ _ _ _ _ _ _
_ _ We went to Pellican School, jumped off buildings in Zimbabwe.
We sit down, we just can't just run right past, cause they can't catch us.
Two bars in Nellie Papa, two bars in Nellie Papa.
I'm feeling anything that we could.
Gotta sneak into the starwood, I gotta peek into the deep good.
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [A] _
_ I remember _ _ [C#] _
_ ten years ago in _ [D]
Hollywood.
_ _ _ We played [Em] with [E] some girls, and we picked some [A] real fat stuff.
But the [D] football [C#] _ circle _ _ _ [G] said, [D] _ it's better to regret something [E] you did,
_ than something [A] you couldn't _ _ do.
Yeah, [C#] we were _ _ young. _ _
[D] Look at, look _ [E] at, _ _ _ look at the [A] boys that you play.
_ _ Yeah, [C#] see them come, see them go. _
[D] _ _ _ I feel like_
[E] _ _ _ _ _ _ _ [Em] _
[A] _ _ _ _ _ _ _ _
[C#] _ _ _ _ _ _ _ _
[D] _ _ _ _ _ _ _ [E] _
_ _ _ _ _ _ _ _
[A] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [A] _
_ [N] _ _ _ _ _ _ _
_ [A] _ _ _ It [Dm] started when we were [A] little kids.
_ Free spirits, but already tormented by our own hands, given to us by our parents.
_ We got together and wrote on desks and slept in laundry rooms near snowy mountains.
_ And slipped through whatever cracks we could find, minds altered. _ _
_ _ _ _ Portraying hysterical and tragic characters in a small film.
_ We loved the dirty city _ and the journeys away from [D] it.
[A] _
We had not yet been or seen our friends, selves, _ chased in a _ downward spiral, _
leaving a trail of irretrievable vital life juice [Em] behind.
_ _ [A] Still, [Em] the brothers' blood [A] comrades' part in the family curse was intangible.
And we lived inside it, laughing with no clothes.
_ [Em] And everything [A] experimental till death [Em] was upon us, [A] _
and our face mortality.
_ And lots of things seemed futile then, _ but love and music could save us.
And did.
_ While the giant grey monster grew more poisoned and volatile around us.
Jaws climbing down, spewing ugly shit around. _
Nothing is the same.
_ So we keep moving.
_ _ _ _ _ [Em] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ [G] _ _ _ _
_ _ [Em] Shit! _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ Went _ _ _ _ _ _ _ _
off and got some head guns, I took a ride and got a truck, yeah!
I've been training to the night, I've got a ride with my transvestite.
A few bars in San Francisco, a few bars in San Francisco.
Laughing off in a bar, the room, those gaffers walk the talk, a motherfucker [C] walk the talk.
You young boy, you're on [A] a follow-up call.
_ _ [Em] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [C] Get my red _ packet, slow [A] and _ steady now.
_ _ _ [Em] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ On the stage of universe, no slim shine, top box, no superflex.
Profile and so it's sentence, planning hospital and relentless.
Two bars in London, England, two bars in London, England.
Climbing out of hospital windows, women gets no effort involved.
Come on, kid, and do the [C] no-no!
You young boy, you're [A] on a follow _ -up call.
_ [D] _
[C] Get my red packet, [D] slow [A] and _ steady now. _ _ _
[G] _ _ _ _ _ _ _ _
[A] _ _ _ _ _ _ _ [G] _
_ _ _ _ _ _ _ [F#m] _
[A] _ _ _ _ _ _ _ [C] _
_ _ _ _ _ _ _ [D] _
_ _ _ _ _ [D#] _ _ [Em] _
_ [D] _ _ [A] _ [Gm] _ _ _ _
_ _ [A] _ _ _ _ _ _
_ [Em] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [A] _ _
_ [Em] Go!
Go! _ _ _
_ _ _ _ _ _ _ _
_ _ We went to Pellican School, jumped off buildings in Zimbabwe.
We sit down, we just can't just run right past, cause they can't catch us.
Two bars in Nellie Papa, two bars in Nellie Papa.
I'm feeling anything that we could.
Gotta sneak into the starwood, I gotta peek into the deep good.
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [A] _
_ I remember _ _ [C#] _
_ ten years ago in _ [D]
Hollywood.
_ _ _ We played [Em] with [E] some girls, and we picked some [A] real fat stuff.
But the [D] football [C#] _ circle _ _ _ [G] said, [D] _ it's better to regret something [E] you did,
_ than something [A] you couldn't _ _ do.
Yeah, [C#] we were _ _ young. _ _
[D] Look at, look _ [E] at, _ _ _ look at the [A] boys that you play.
_ _ Yeah, [C#] see them come, see them go. _
[D] _ _ _ I feel like_
[E] _ _ _ _ _ _ _ [Em] _
[A] _ _ _ _ _ _ _ _
[C#] _ _ _ _ _ _ _ _
[D] _ _ _ _ _ _ _ [E] _
_ _ _ _ _ _ _ _
[A] _ _ _ _ _ _ _ _