Shania Twain and Lionel Ritchie - Endless Love Chords

_ [Bm] _ _ _ _ _ _ _
_ _ Y'all ready?
I am so ready.
I was feeling [B] anxious and uncomfortable because [Bm] I never
even ever had to prepare for a vocal performance.
I just stepped out and that was it and there
I was.
And right now I'm just not there yet and it put a lot [A] of pressure on me.
_ _ _ Two hearts, two hearts, _ two hearts [D] that beat as one.
Sorry, [Bm] let's do that again.
[Gm] Two hearts, [B] two hearts, two [D#] hearts.
You know what, I want to change it around.
So if it's two hearts, if I go two, you are
two hearts, right?
[E] So I go two hearts, I'll do a_
So I go two hearts.
And I'll go two, three, four.
[D#] Two hearts that beat as one.
He was just directing the melody and wanted me [E] to try this and try that.
Tell [A] me you [E] care.
[F#m] _ _ _ [E] _ [D] Da da [E] da.
They [A] tell me [E] you [F#m] care.
_ [E] _
_ [F#m] _ _ [E] They tell [A] me how much [E] you care.
[F#m] _ There were definitely moments where I had to experiment to find my way through that song.
And I did [A] have to make it my own in some areas in order for it to work.
[E] Out the [F#m] _ _ [E] _ _ [D] _
_ [A] _ _ _ [E] _ _ [F#m] _ _
_ [D] _ _ [C#m] _ _ _ [D] _ _
_ [E] _ _ _ [D] _ _ _ _
[C#m] _ _ _ _ [D] _ [A] _ _ _
way.
_ [A] Sorry, I don't know what [N] I did there.
No, it's good.
Through the whole thing I'm thinking, uh oh, we're going to get to this section and I don't
know what I'm going to do.
I've already started now the song in this key.
_ And what am I going to do?
Say, guys, we have to start over again because I'm never going to reach those notes.
Or I'm going to reach them with a mousy voice.
I'm not going to do justice to them.
_ And I was anticipating getting to that point of the song where it was just, you know, big
and powerful and all the things that I've been lacking in my voice and this power.
_ [D] _ _
_ _ [E] _ Oh, you [A] be the air.
[E] _ _ [F#m] _ _ [E] _ _ [N] That's going to be hard.
I've got to get up for that.
But sure, I'm not so sure it's still right.
No, _ [D] it's good.
Play that [Dm] one back.
_ [G#] _ _
[B] It's a straight note.
I'm sure. _ _
Maybe I'll do more like that.
Yes, but I'll be that moon for you.
_ Okay, thank you.
I could have said, listen, you know, I don't want to get myself that far out on a limb.
Can we bring this right down to a comfortable key for myself?
I don't [N] want her to push.
Now this.
So here's what I do.
I want to do it in her voice.
No, no, no, no, no, no.
Got it.
How much you care.
But I didn't.
I didn't do that.
I decided that I would give it a try first in the higher range.
I just thought, while I'm at it, [G] let's go with this.
Oh, yeah.
_ And I started to work my way [E] through it.
And I just got it right on.
[D] _ _
_ _ [E] _ _ I'll [A] be that [E] moon for you.
[N] Okay. _ _ _
_ That's it.
_ Okay.
God dang, sister.
And I surprised myself and, you know, he was all excited and it was really fantastic.
I thought, wow, I haven't sung with that kind of power in years.
Are you getting distortion?
_ I feel like I am.
For this section, will you back up from the mic?
Yes.
There we go.
It was a compliment to be asked to step back away from the microphone.
[D] You're distorting the microphone.
No.
[C#m] _
_ _ _ To get enough volume to distort a microphone, you've got to push pretty hard.
So that was really [D] great.
It was like a triumph, you know.
I'll give it [C#m] to you.
_ _ [Bm] _ _ _ _
[C] I was just energized and inspired, you know.
Now I really felt like I know [A] what I'm supposed to do.
Now I've got to really go for it.
My first love.
Sing it, Jeremy.
_ You're every [D] breath that I [Bm] take.
[E] You're every [A] step I make.
And once I [F#m] got in the mode, I was [E] enjoying it, really.
[D] I am sure.
_ [E] _ _ _ _
[A] _ _ _ _ _ _ I [D] am yes.
_ [B] _ [E] _ You'll [A] be the [E] only [F#m] one.
_ [E] In the end, what I discovered was I've got [A] to sing it like Shania Twain.
My first love.
_ You're every [D] breath that I [Bm] take.
[E] You're [A] every step I make.
_ _ _ _ Forever. _
More _ [D] than clothes in my [Bm] arms.
[E] I [A] can't resist your _ charms.
[G#m] _ _ [D] _ _ _ _
[E] _ _ I'll [A] be that [E] fool for [F#m] _ _ [E] you.
[D] I'm sure. _
[E] _ _ _ _ [A] _ _ _ _
_ _ _ _ [D] _ _ _ _
[E] _ _ You're [A] every _ _ _
[F#m] _ [E] step I make.
And once I got in the mode, I was enjoying it, really.
More than clothes [D] _ _ _
[C#m] in my arms.
I can't resist _ _ [D] your charms.
I'll be that [C#m] fool for you.
I'm [Bm] _ _ _ _
[E] _ _ _ [A] sure.
My endless love. _
_ _ My endless love. _
_ _ _ _ _ [G#] _ Nice.
[C] _ _ _ _ [G] [Am] Do _ _
_ _ _ _ [F] _ _ [Em] you notice how free she is now?
[Dm] I did it.
You know, it [G] feels kind of good, actually.
It's very [C] rewarding.
Welcome back, Shania.
Welcome [G] back.
_ [Dm] And by the