Chords for Someone You Loved (Behind The Scenes) The Piano Guys
Tempo:
155.4 bpm
Chords used:
Db
Gb
Ab
Bbm
Fm
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[Fm] Ready?
[Bb] One, two, three.
[A] Ah!
Dude!
Dude!
[N]
We just wrapped up filming Someone You Love.
Very [Db] excited about how it turned out.
[Ab]
[Bbm]
[Gb] [Db]
[Fm]
[Bbm]
[Gb] [Db]
[Fm] [Ab]
[Bbm]
[Gb] [Db] This is the toughest [N] part of the job, right here.
Polishing a cello.
Practicing?
Piece of cake.
Polishing?
Not so much.
I've watched many Karate Kid movies.
Wax on.
[F] That's right.
If you have [Db] seen Karate Kid,
give your favorite line in the comments below.
[A] Tell me your favorite line.
If you haven't seen Karate [Gb] Kid, go watch Karate Kid.
Then [Ab] tell me your favorite line in the comments below.
[C] And if you forget what comment is your favorite [N] after watching it,
go watch it again.
Then comment below on your favorite line from Karate Kid.
Oh, they're taking the piano away.
You're in trouble.
It's the only thing I have.
And they're taking that [Ebm] away.
[D]
[F] Bench service!
[N] It's like a NASCAR pit stop.
[C]
We [G] always make jokes [B] about our videos always looking like [A] Pet Pony,
which is one of our most iconic videos.
[Ab] So anytime Paul goes [G] scouting and shows us pictures of red rocks,
we're like, that looks like Pet Pony.
[Ab] So now anytime we're inside, we say it looks like a Piffany.
I just say it looks [G] like Pet Pony anyway.
That's it.
[Fm] Alright, [Bb] come on, come on, guys.
Break [Ab] it up.
[Bbm]
It's [Ab]
just like a [Db] Piffany.
I know it [Bbm] does.
[D] It looks like Flicker.
[C] And a Piffany.
[Gb] [Db] It [Ab]
looks just like a Piffany.
[Bbm]
[Gb] [Db] Let me [Eb] see how close I can get this to your [Ab] face.
Oh my goodness.
[B] No, let's not do that yet.
[Ab]
Look at that, man.
Isn't that all [N] red?
It's poofing up.
It [Fm] feels like it's [Bbm] broken.
If I do it [N] with Shay, he won't inadvertently put his hand in front of the bottle.
[Bb] Uncle Turk!
[Eb]
Shay's hair is like [Bb] blowing in the wind.
Uncle [Fm] Turk!
[N] Sorry, white hair's that?
We are in the middle of [Gm] finishing [G] off piano cello shots
so we can [N] transition to the real shots everybody wants to see
which is the two [Gbm] dancers, world [Ab]-class talent,
only perfect [B] score ever in the history of World of Dance.
So John and I play a few bars, they dance a few bars,
we play a few bars, they dance a few bars.
Hopefully they dance quite a few bars [Ab] more than we play
[Eb] because I personally [E] would like to see them dance more than I'd like to see myself [Bbm] play.
[Gb]
[Db] [Gb]
[Db]
[Bbm] Most [Gb] excited about the true talent that's in the video,
Charity and Andres, they were so [Bbm] fun to work with and so professional,
so [Fm]
incredibly [Ab] talented.
[Bbm] So
[Gb]
[Db] [Gb] [Db]
[Ab] [Db] [Gb]
[Db] what I'm going to [G] do is just quickly go around,
[E] we don't want too much [N] fog.
Oh boy.
[Abm] Okay, that was fun.
What is the story behind the choreography for this
Someone You Loved video that we [Bbm] just did together?
It's about reminiscing on all [Db] the moments that we've had
and me saying goodbye to Andres for the next two years
[Abm] as he is preparing to serve a mission, an LDS mission.
[Gb] And this is [Db] something that we feel very close [Ab] to
because all four of the piano guys have also served a mission
[Bbm] for our church, which is the Church of Jesus Christ of Latter-day Saints.
We [Gb] love that [Db] your performance isn't just about the art of dance,
there's [Ebm] a spiritual component [Db] to it.
And then at the very end
That's when I bid him [Bb] farewell for the good, you know.
Our last handshake.
Our [F] last handshake.
That's beautiful, but it's an au revoir, right?
It's not a farewell forever.
[Gb]
I may shed a tear [Db] because dance really moves me,
so I [N] may have to put these babies on.
So you can't see the [Gb] emotion.
[Db] [Ab]
[Bbm]
Yeah, good man.
[Ab]
[Bb] John [Gb] and I were trying to mimic some of your moves
while you were just jamming on the piano cello.
So what was your opinion of that as you saw us go [Bb] through that?
[Fm] Ready?
[Bb] One, two, three.
One, [E] two, three.
[A] [N]
You know
You have to start [Abm] somewhere.
You have to start somewhere.
[Gb] [Db]
[Ab] [Db]
[Ebm]
[Db]
[Fm] [Ab]
[Bbm] [Gb]
[Db] [Gb]
[Db] [Ab] [Db]
[Gb]
[Bbm]
[Gb]
[Db]
[N]
[Bb] One, two, three.
[A] Ah!
Dude!
Dude!
[N]
We just wrapped up filming Someone You Love.
Very [Db] excited about how it turned out.
[Ab]
[Bbm]
[Gb] [Db]
[Fm]
[Bbm]
[Gb] [Db]
[Fm] [Ab]
[Bbm]
[Gb] [Db] This is the toughest [N] part of the job, right here.
Polishing a cello.
Practicing?
Piece of cake.
Polishing?
Not so much.
I've watched many Karate Kid movies.
Wax on.
[F] That's right.
If you have [Db] seen Karate Kid,
give your favorite line in the comments below.
[A] Tell me your favorite line.
If you haven't seen Karate [Gb] Kid, go watch Karate Kid.
Then [Ab] tell me your favorite line in the comments below.
[C] And if you forget what comment is your favorite [N] after watching it,
go watch it again.
Then comment below on your favorite line from Karate Kid.
Oh, they're taking the piano away.
You're in trouble.
It's the only thing I have.
And they're taking that [Ebm] away.
[D]
[F] Bench service!
[N] It's like a NASCAR pit stop.
[C]
We [G] always make jokes [B] about our videos always looking like [A] Pet Pony,
which is one of our most iconic videos.
[Ab] So anytime Paul goes [G] scouting and shows us pictures of red rocks,
we're like, that looks like Pet Pony.
[Ab] So now anytime we're inside, we say it looks like a Piffany.
I just say it looks [G] like Pet Pony anyway.
That's it.
[Fm] Alright, [Bb] come on, come on, guys.
Break [Ab] it up.
[Bbm]
It's [Ab]
just like a [Db] Piffany.
I know it [Bbm] does.
[D] It looks like Flicker.
[C] And a Piffany.
[Gb] [Db] It [Ab]
looks just like a Piffany.
[Bbm]
[Gb] [Db] Let me [Eb] see how close I can get this to your [Ab] face.
Oh my goodness.
[B] No, let's not do that yet.
[Ab]
Look at that, man.
Isn't that all [N] red?
It's poofing up.
It [Fm] feels like it's [Bbm] broken.
If I do it [N] with Shay, he won't inadvertently put his hand in front of the bottle.
[Bb] Uncle Turk!
[Eb]
Shay's hair is like [Bb] blowing in the wind.
Uncle [Fm] Turk!
[N] Sorry, white hair's that?
We are in the middle of [Gm] finishing [G] off piano cello shots
so we can [N] transition to the real shots everybody wants to see
which is the two [Gbm] dancers, world [Ab]-class talent,
only perfect [B] score ever in the history of World of Dance.
So John and I play a few bars, they dance a few bars,
we play a few bars, they dance a few bars.
Hopefully they dance quite a few bars [Ab] more than we play
[Eb] because I personally [E] would like to see them dance more than I'd like to see myself [Bbm] play.
[Gb]
[Db] [Gb]
[Db]
[Bbm] Most [Gb] excited about the true talent that's in the video,
Charity and Andres, they were so [Bbm] fun to work with and so professional,
so [Fm]
incredibly [Ab] talented.
[Bbm] So
[Gb]
[Db] [Gb] [Db]
[Ab] [Db] [Gb]
[Db] what I'm going to [G] do is just quickly go around,
[E] we don't want too much [N] fog.
Oh boy.
[Abm] Okay, that was fun.
What is the story behind the choreography for this
Someone You Loved video that we [Bbm] just did together?
It's about reminiscing on all [Db] the moments that we've had
and me saying goodbye to Andres for the next two years
[Abm] as he is preparing to serve a mission, an LDS mission.
[Gb] And this is [Db] something that we feel very close [Ab] to
because all four of the piano guys have also served a mission
[Bbm] for our church, which is the Church of Jesus Christ of Latter-day Saints.
We [Gb] love that [Db] your performance isn't just about the art of dance,
there's [Ebm] a spiritual component [Db] to it.
And then at the very end
That's when I bid him [Bb] farewell for the good, you know.
Our last handshake.
Our [F] last handshake.
That's beautiful, but it's an au revoir, right?
It's not a farewell forever.
[Gb]
I may shed a tear [Db] because dance really moves me,
so I [N] may have to put these babies on.
So you can't see the [Gb] emotion.
[Db] [Ab]
[Bbm]
Yeah, good man.
[Ab]
[Bb] John [Gb] and I were trying to mimic some of your moves
while you were just jamming on the piano cello.
So what was your opinion of that as you saw us go [Bb] through that?
[Fm] Ready?
[Bb] One, two, three.
One, [E] two, three.
[A] [N]
You know
You have to start [Abm] somewhere.
You have to start somewhere.
[Gb] [Db]
[Ab] [Db]
[Ebm]
[Db]
[Fm] [Ab]
[Bbm] [Gb]
[Db] [Gb]
[Db] [Ab] [Db]
[Gb]
[Bbm]
[Gb]
[Db]
[N]
Key:
Db
Gb
Ab
Bbm
Fm
Db
Gb
Ab
[Fm] Ready?
_ [Bb] One, two, three. _
_ _ _ [A] Ah!
Dude!
Dude! _
[N] _ _ _ _ _ _ _ _
_ _ _ _ We just wrapped up filming Someone You Love.
Very [Db] excited about how it turned out. _
_ _ _ _ [Ab] _ _ _ _
_ _ [Bbm] _ _ _ _ _ _
[Gb] _ _ _ _ _ _ [Db] _ _
_ [Fm] _ _ _ _ _ _ _
_ _ [Bbm] _ _ _ _ _ _
_ [Gb] _ _ _ _ _ [Db] _ _
_ _ [Fm] _ _ _ _ _ [Ab] _
_ _ [Bbm] _ _ _ _ _ _
[Gb] _ _ [Db] This is the toughest [N] part of the job, right here.
Polishing a cello.
Practicing?
Piece of cake.
Polishing?
_ Not so much.
I've watched many Karate Kid movies.
_ Wax on. _ _ _
_ [F] That's right.
If you have [Db] seen Karate Kid,
_ give your favorite line in the comments below.
[A] Tell me your favorite line.
If you haven't seen Karate [Gb] Kid, go watch Karate Kid.
Then [Ab] tell me your favorite line in the comments below.
_ [C] And if you forget what comment is your favorite [N] after watching it,
go watch it again.
Then comment below on your favorite line from Karate Kid. _ _ _ _
Oh, they're taking the piano away.
You're in trouble. _
It's the only thing I have.
And they're taking that [Ebm] away.
[D] _
_ _ _ _ _ _ [F] Bench service!
_ [N] _ It's like a NASCAR pit stop.
_ _ _ _ _ [C] _ _
We [G] always make jokes [B] about our videos always looking like [A] Pet Pony,
which is one of our most iconic videos.
[Ab] So anytime Paul _ goes [G] scouting and shows us pictures of red rocks,
we're like, that looks like Pet Pony.
[Ab] So now anytime we're inside, we say it looks like a Piffany.
I just say it looks [G] like Pet Pony anyway.
That's it.
[Fm] _ Alright, [Bb] _ come on, come on, guys.
Break [Ab] it up.
_ _ [Bbm] _ _
_ It's _ _ _ _ [Ab] _
just like a [Db] Piffany.
I know it [Bbm] does. _
[D] It looks like Flicker.
_ [C] _ And a Piffany. _
[Gb] _ _ [Db] _ It _ _ [Ab]
looks just like a Piffany.
[Bbm] _ _ _ _ _
[Gb] _ [Db] Let me [Eb] see how close I can get this to your [Ab] face.
Oh my goodness.
[B] No, let's not do that yet.
[Ab] _
_ _ Look _ _ at that, man.
Isn't that all [N] red?
It's poofing up. _
_ It [Fm] feels like it's [Bbm] broken.
If I do it [N] with Shay, he won't inadvertently put his hand in front of the bottle.
[Bb] _ Uncle Turk!
_ [Eb] _ _
_ Shay's hair is like [Bb] blowing in the wind. _ _
Uncle [Fm] Turk!
_ _ [N] Sorry, white hair's that?
_ _ _ _ We are in the middle of [Gm] _ finishing [G] off piano cello shots
so we can [N] transition to the real shots everybody wants to see
which is the two [Gbm] dancers, world [Ab]-class talent,
only perfect [B] score ever _ in the history of World of Dance.
So John and I play a few bars, they dance a few bars,
we play a few bars, they dance a few bars.
Hopefully they dance quite a few bars [Ab] more than we play
[Eb] because I personally [E] would like to see them dance more than I'd like to see myself [Bbm] play.
_ _ _ _ _ [Gb] _ _
_ _ _ _ [Db] _ _ _ [Gb] _
[Db] _ _ _ _ _ _ _ _
[Bbm] _ _ _ _ _ Most [Gb] excited about the true talent that's in the video,
Charity and Andres, they were so [Bbm] fun to work with and so professional,
so [Fm] _
incredibly [Ab] talented.
_ _ [Bbm] So _
_ _ _ _ [Gb] _ _ _ _
_ _ [Db] _ _ _ [Gb] _ [Db] _ _
[Ab] _ _ _ [Db] _ _ _ [Gb] _ _
_ _ _ _ _ [Db] what I'm going to [G] do is just quickly go around,
[E] we don't want too much [N] fog.
_ _ _ _ _ _ _ _
Oh boy.
_ [Abm] Okay, that was fun.
What is the story behind the choreography for this
Someone You Loved video that we [Bbm] just did together?
It's about reminiscing on all [Db] the moments that we've had
_ and me saying goodbye to Andres for the next two years
[Abm] as he is preparing to serve a mission, an LDS mission.
[Gb] And this is [Db] something that we feel very close [Ab] to
because all four of the piano guys have also served a mission
[Bbm] for our church, which is the Church of Jesus Christ of Latter-day Saints.
We [Gb] love that [Db] your performance isn't just about the art of dance,
there's [Ebm] a spiritual component [Db] to it.
And then at the very end_
That's when I bid him [Bb] farewell for the good, you know.
Our last handshake.
Our [F] last handshake.
_ _ That's beautiful, but it's an au revoir, right?
It's not a farewell forever.
[Gb] _ _ _ _
_ I may shed a tear [Db] because dance really moves me,
so I [N] may have to put these babies on.
_ _ _ So you can't see the [Gb] emotion.
_ _ [Db] _ _ _ _ _ [Ab] _
_ _ _ _ _ [Bbm] _ _ _
_ _ _ _ _ _ _ _
_ Yeah, good man.
_ [Ab] _
_ [Bb] John _ _ [Gb] and I were trying to mimic some of your moves
while you were just jamming on the piano cello.
So what was your opinion of that as you saw us go [Bb] through that?
[Fm] Ready?
[Bb] One, two, three.
_ One, _ [E] _ two, three.
_ _ _ [A] _ _ [N] _ _ _
_ _ _ _ _ _ _
You _ know_
You have to start [Abm] somewhere.
You have to start somewhere.
[Gb] _ _ _ _ [Db] _ _ _ _
_ _ _ _ _ [Ab] _ _ [Db] _
[Ebm] _ _ _ _ _ _ _ _
_ _ _ [Db] _ _ _ _ _
_ _ [Fm] _ _ [Ab] _ _ _ _
[Bbm] _ _ _ _ _ _ [Gb] _ _
_ _ _ _ [Db] _ _ _ [Gb] _
[Db] _ _ _ [Ab] _ _ [Db] _ _ _
[Gb] _ _ _ _ _ _ _ _
_ _ _ _ [Bbm] _ _ _ _
[Gb] _ _ _ _ _ _ _ _
_ _ _ _ _ [Db] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [N] _
_ [Bb] One, two, three. _
_ _ _ [A] Ah!
Dude!
Dude! _
[N] _ _ _ _ _ _ _ _
_ _ _ _ We just wrapped up filming Someone You Love.
Very [Db] excited about how it turned out. _
_ _ _ _ [Ab] _ _ _ _
_ _ [Bbm] _ _ _ _ _ _
[Gb] _ _ _ _ _ _ [Db] _ _
_ [Fm] _ _ _ _ _ _ _
_ _ [Bbm] _ _ _ _ _ _
_ [Gb] _ _ _ _ _ [Db] _ _
_ _ [Fm] _ _ _ _ _ [Ab] _
_ _ [Bbm] _ _ _ _ _ _
[Gb] _ _ [Db] This is the toughest [N] part of the job, right here.
Polishing a cello.
Practicing?
Piece of cake.
Polishing?
_ Not so much.
I've watched many Karate Kid movies.
_ Wax on. _ _ _
_ [F] That's right.
If you have [Db] seen Karate Kid,
_ give your favorite line in the comments below.
[A] Tell me your favorite line.
If you haven't seen Karate [Gb] Kid, go watch Karate Kid.
Then [Ab] tell me your favorite line in the comments below.
_ [C] And if you forget what comment is your favorite [N] after watching it,
go watch it again.
Then comment below on your favorite line from Karate Kid. _ _ _ _
Oh, they're taking the piano away.
You're in trouble. _
It's the only thing I have.
And they're taking that [Ebm] away.
[D] _
_ _ _ _ _ _ [F] Bench service!
_ [N] _ It's like a NASCAR pit stop.
_ _ _ _ _ [C] _ _
We [G] always make jokes [B] about our videos always looking like [A] Pet Pony,
which is one of our most iconic videos.
[Ab] So anytime Paul _ goes [G] scouting and shows us pictures of red rocks,
we're like, that looks like Pet Pony.
[Ab] So now anytime we're inside, we say it looks like a Piffany.
I just say it looks [G] like Pet Pony anyway.
That's it.
[Fm] _ Alright, [Bb] _ come on, come on, guys.
Break [Ab] it up.
_ _ [Bbm] _ _
_ It's _ _ _ _ [Ab] _
just like a [Db] Piffany.
I know it [Bbm] does. _
[D] It looks like Flicker.
_ [C] _ And a Piffany. _
[Gb] _ _ [Db] _ It _ _ [Ab]
looks just like a Piffany.
[Bbm] _ _ _ _ _
[Gb] _ [Db] Let me [Eb] see how close I can get this to your [Ab] face.
Oh my goodness.
[B] No, let's not do that yet.
[Ab] _
_ _ Look _ _ at that, man.
Isn't that all [N] red?
It's poofing up. _
_ It [Fm] feels like it's [Bbm] broken.
If I do it [N] with Shay, he won't inadvertently put his hand in front of the bottle.
[Bb] _ Uncle Turk!
_ [Eb] _ _
_ Shay's hair is like [Bb] blowing in the wind. _ _
Uncle [Fm] Turk!
_ _ [N] Sorry, white hair's that?
_ _ _ _ We are in the middle of [Gm] _ finishing [G] off piano cello shots
so we can [N] transition to the real shots everybody wants to see
which is the two [Gbm] dancers, world [Ab]-class talent,
only perfect [B] score ever _ in the history of World of Dance.
So John and I play a few bars, they dance a few bars,
we play a few bars, they dance a few bars.
Hopefully they dance quite a few bars [Ab] more than we play
[Eb] because I personally [E] would like to see them dance more than I'd like to see myself [Bbm] play.
_ _ _ _ _ [Gb] _ _
_ _ _ _ [Db] _ _ _ [Gb] _
[Db] _ _ _ _ _ _ _ _
[Bbm] _ _ _ _ _ Most [Gb] excited about the true talent that's in the video,
Charity and Andres, they were so [Bbm] fun to work with and so professional,
so [Fm] _
incredibly [Ab] talented.
_ _ [Bbm] So _
_ _ _ _ [Gb] _ _ _ _
_ _ [Db] _ _ _ [Gb] _ [Db] _ _
[Ab] _ _ _ [Db] _ _ _ [Gb] _ _
_ _ _ _ _ [Db] what I'm going to [G] do is just quickly go around,
[E] we don't want too much [N] fog.
_ _ _ _ _ _ _ _
Oh boy.
_ [Abm] Okay, that was fun.
What is the story behind the choreography for this
Someone You Loved video that we [Bbm] just did together?
It's about reminiscing on all [Db] the moments that we've had
_ and me saying goodbye to Andres for the next two years
[Abm] as he is preparing to serve a mission, an LDS mission.
[Gb] And this is [Db] something that we feel very close [Ab] to
because all four of the piano guys have also served a mission
[Bbm] for our church, which is the Church of Jesus Christ of Latter-day Saints.
We [Gb] love that [Db] your performance isn't just about the art of dance,
there's [Ebm] a spiritual component [Db] to it.
And then at the very end_
That's when I bid him [Bb] farewell for the good, you know.
Our last handshake.
Our [F] last handshake.
_ _ That's beautiful, but it's an au revoir, right?
It's not a farewell forever.
[Gb] _ _ _ _
_ I may shed a tear [Db] because dance really moves me,
so I [N] may have to put these babies on.
_ _ _ So you can't see the [Gb] emotion.
_ _ [Db] _ _ _ _ _ [Ab] _
_ _ _ _ _ [Bbm] _ _ _
_ _ _ _ _ _ _ _
_ Yeah, good man.
_ [Ab] _
_ [Bb] John _ _ [Gb] and I were trying to mimic some of your moves
while you were just jamming on the piano cello.
So what was your opinion of that as you saw us go [Bb] through that?
[Fm] Ready?
[Bb] One, two, three.
_ One, _ [E] _ two, three.
_ _ _ [A] _ _ [N] _ _ _
_ _ _ _ _ _ _
You _ know_
You have to start [Abm] somewhere.
You have to start somewhere.
[Gb] _ _ _ _ [Db] _ _ _ _
_ _ _ _ _ [Ab] _ _ [Db] _
[Ebm] _ _ _ _ _ _ _ _
_ _ _ [Db] _ _ _ _ _
_ _ [Fm] _ _ [Ab] _ _ _ _
[Bbm] _ _ _ _ _ _ [Gb] _ _
_ _ _ _ [Db] _ _ _ [Gb] _
[Db] _ _ _ [Ab] _ _ [Db] _ _ _
[Gb] _ _ _ _ _ _ _ _
_ _ _ _ [Bbm] _ _ _ _
[Gb] _ _ _ _ _ _ _ _
_ _ _ _ _ [Db] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [N] _