Chords for Triadic Soloing by Larry Carlton

Tempo:
87.7 bpm
Chords used:

Dm

D

F

C

A

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
Triadic Soloing by Larry Carlton chords
Start Jamming...
So Terry, if you'll play D minor 7, I'll play the bracketed red colored ones.
D minor, A
minor, and E minor.
D minor please, Terry.
[F]
[Dm]
Okay, [C] that's our basic sound for the [F#] first
three triads in red.
Now I'll do the same three triads, but I'll make a little music
out of them.
Sometimes [F] I won't get a chance to spell the exact triad, but I will pick
notes from those triads.
One more time, Terry.
D minor please.
[D]
[Dm] [C] [Am]
Okay, that was D minor, A
minor, E minor, all interwoven between themselves over D minor 7.
Now let's take the triads
that are on top and you can hear those.
Those would be the F major, C major, and G major
triad.
D minor.
[F]
[D] [Dm]
They all make sense, don't they?
You can hear how they relate to the
D minor.
Now I'd like to play for you from the bottom row, just the three triads that
we had.
I'll jam, I'll play on those chords.
They'll just be D minor, A minor, and E minor.
[D]
[Dm]
[B] Now I'd like to play on all six chords.
This will just be a conglomerate of all the sounds
you've heard individually right now.
[Dm]
[A]
[G] [A] [Dm]
[D] [Dm]
I feel good that that's a good example of my triadic
approach to
Key:  
Dm
2311
D
1321
F
134211111
C
3211
A
1231
Dm
2311
D
1321
F
134211111
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_ So Terry, if you'll play D minor 7, I'll play the bracketed red colored ones.
D minor, A
minor, and E minor.
_ D minor please, Terry. _
_ _ _ _ _ [F] _ _ _
[Dm] _ _ _ _ _ _ _
Okay, [C] that's our basic sound for the [F#] first
three triads in red. _
Now I'll do the same three triads, but I'll make a little music
out of them.
Sometimes [F] I won't get a chance to spell the exact triad, but I will pick
notes from those triads.
One more time, Terry.
D minor please.
_ _ _ _ [D] _
_ _ _ [Dm] _ _ [C] _ _ [Am] _
_ _ Okay, that was D minor, A
minor, E minor, all interwoven between themselves over D minor 7.
Now let's take the triads
that are on top and you can hear those.
Those would be the F major, C major, and G major
triad.
D minor.
[F] _ _ _ _
[D] _ _ _ _ _ _ _ [Dm] _
_ _ _ _ _ They all make sense, don't they?
You can hear how they relate to the
D minor.
_ Now I'd like to play for you from the bottom row, just the three triads that
we had.
I'll jam, I'll play on those chords.
They'll just be D minor, A minor, and E minor. _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [D] _
_ [Dm] _ _ _ _ _ _ _
_ _ _ _ _ _ [B] Now I'd like to play on all six chords.
_ This will just be a conglomerate of all the sounds
you've heard individually right now.
_ _ _ _ [Dm] _
_ _ _ _ _ [A] _ _ _
[G] _ _ _ _ _ [A] _ _ [Dm] _
_ _ _ _ _ _ _ _
[D] _ _ _ _ _ _ _ [Dm] _
_ _ _ _ _ _ _ _
_ _ I feel good that that's a good example of my triadic
approach to

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