Chords for ♫ How to play "NOTHING BUT THE BLOOD" TRADITIONAL HYMN (piano tutorial lesson)
Tempo:
159.55 bpm
Chords used:
E
B
F#
A
F#m
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Hello, I'm Rick Barclay and I'm with Piano Clubhouse and today we're going to learn the song Nothing But The Blood.
It's written by Robert Lowry back in the mid 80s and
this is a very popular song that is used for
for doing, you know, the Lord's Supper and communion and things like that.
So let's just dive in.
It's in the key of E.
E is this.
E, [G#] F sharp, G sharp, [B] A, [C#] B, C sharp, D sharp, E.
[F#] [E]
Okay, it is in 4-4 and there's basically two sections to it.
So it's kind of like a A-A-B-A type format.
So let's just dive in.
So basically in the right hand what's going to happen is we're doing an E chord and the melody is this.
E, E, E,
[B] F [G#m] sharp, G sharp,
B, G sharp,
[E] E,
[F#] [G#] F to a G, [F#] F [E] sharp, E.
So very, very simple melody.
[B]
[G#m] [E]
[B]
[F#] [E]
Okay, so let's fill it in now.
So what's going to happen is basically it's an E triad and your
left hand face is going to basically ride on an E for two measures.
So [B] E's and then a B if you want to have that to [E] help fill it out.
And then G sharp, B and E.
[A] Then [E] I'll count three.
You're going to go to basically this A over E.
[A] So an A, C [E] sharp, E,
[B] on count four, it's going to be B over E.
So again, E's on the bass, [B] B, D sharp, F sharp.
[E] Next measure, back to an E triad.
Different inversion now.
So E's again on the bass, B, E, and G sharp.
And then we back into root position, E, G sharp, B, and then back down to the second inversion.
Okay, so those two measures again.
[A] [B]
[E]
[D#] And then on count four, we're going down to basically a B over D sharp.
So D sharp's [B] in the bass, B, D sharp.
If you want to add the F sharp, you can.
[C#m] Now here's the next measure.
It was the E's on the top.
So the C sharp [C#] minor, C sharp in the bass, [C#m] C sharp and E.
One and two and, and that's a D sharp, F sharp.
One and two and three.
So those are just kind of like [C#m] passing tones.
So all over the C sharp.
One and two and three, four.
So it's a C sharp minor in root position.
C sharp, E, G sharp.
One and two and three, [F#m] four.
[B] [E] Okay, so [F#m] that measure right there is an F sharp minor.
F sharp, A, C sharp, F sharp.
And then there's [B] a little kind of a passing chord, [F#m] if you will.
One, [B]
two, on count two, it's a B, B, D sharp.
And you hold on to that F sharp.
Because you're [F#m] basically, when you're singing, you'd be holding on to it.
[B]
[E] Back to an E major.
E's, G sharp, B, and E.
Okay, and that basically gets repeated again.
Okay, so the E's, [A] [B] A, [E] B.
One, two, [A]
[B] three, [E] four.
One, two, three, [D#]
on count four, there's that walk down.
[C#m]
[F#m] [B]
[E] Okay, and what you do during this, if you just want to hold on to the E,
you don't have to necessarily do a bunch of movement.
[A] [B]
[E]
See, I'm just kind of striking and one, two, and three.
Kind of just keeping a pulse going.
If it's a very poignant type of moment,
then maybe just doing whole notes down there.
[A] [B]
[E] Striking again.
[D#] [C#m]
[F#m] [B] [E]
Okay, so here's the bridge, or sometimes they call this the chorus.
Okay, so melodically, it's B, [G#] G sharp, F sharp, [G#m] G sharp, B, C sharp.
[E]
So that's all of the, basically an E chord, triad.
E's, E, G sharp, B.
[B]
[F#] [E]
[F#]
And you can do an E with that as you're going on the F sharp in the bass.
So again, you're just kind of striking and one, two, three, four.
And again, it kind of clashes a little bit because we're resolving [Bm] down to an F sharp minor.
[E] One, two, [F#]
three, four.
So F sharp, C sharp, F sharp, [G#] and then now it's a [G#m]
G sharp.
[N]
It's written by Robert Lowry back in the mid 80s and
this is a very popular song that is used for
for doing, you know, the Lord's Supper and communion and things like that.
So let's just dive in.
It's in the key of E.
E is this.
E, [G#] F sharp, G sharp, [B] A, [C#] B, C sharp, D sharp, E.
[F#] [E]
Okay, it is in 4-4 and there's basically two sections to it.
So it's kind of like a A-A-B-A type format.
So let's just dive in.
So basically in the right hand what's going to happen is we're doing an E chord and the melody is this.
E, E, E,
[B] F [G#m] sharp, G sharp,
B, G sharp,
[E] E,
[F#] [G#] F to a G, [F#] F [E] sharp, E.
So very, very simple melody.
[B]
[G#m] [E]
[B]
[F#] [E]
Okay, so let's fill it in now.
So what's going to happen is basically it's an E triad and your
left hand face is going to basically ride on an E for two measures.
So [B] E's and then a B if you want to have that to [E] help fill it out.
And then G sharp, B and E.
[A] Then [E] I'll count three.
You're going to go to basically this A over E.
[A] So an A, C [E] sharp, E,
[B] on count four, it's going to be B over E.
So again, E's on the bass, [B] B, D sharp, F sharp.
[E] Next measure, back to an E triad.
Different inversion now.
So E's again on the bass, B, E, and G sharp.
And then we back into root position, E, G sharp, B, and then back down to the second inversion.
Okay, so those two measures again.
[A] [B]
[E]
[D#] And then on count four, we're going down to basically a B over D sharp.
So D sharp's [B] in the bass, B, D sharp.
If you want to add the F sharp, you can.
[C#m] Now here's the next measure.
It was the E's on the top.
So the C sharp [C#] minor, C sharp in the bass, [C#m] C sharp and E.
One and two and, and that's a D sharp, F sharp.
One and two and three.
So those are just kind of like [C#m] passing tones.
So all over the C sharp.
One and two and three, four.
So it's a C sharp minor in root position.
C sharp, E, G sharp.
One and two and three, [F#m] four.
[B] [E] Okay, so [F#m] that measure right there is an F sharp minor.
F sharp, A, C sharp, F sharp.
And then there's [B] a little kind of a passing chord, [F#m] if you will.
One, [B]
two, on count two, it's a B, B, D sharp.
And you hold on to that F sharp.
Because you're [F#m] basically, when you're singing, you'd be holding on to it.
[B]
[E] Back to an E major.
E's, G sharp, B, and E.
Okay, and that basically gets repeated again.
Okay, so the E's, [A] [B] A, [E] B.
One, two, [A]
[B] three, [E] four.
One, two, three, [D#]
on count four, there's that walk down.
[C#m]
[F#m] [B]
[E] Okay, and what you do during this, if you just want to hold on to the E,
you don't have to necessarily do a bunch of movement.
[A] [B]
[E]
See, I'm just kind of striking and one, two, and three.
Kind of just keeping a pulse going.
If it's a very poignant type of moment,
then maybe just doing whole notes down there.
[A] [B]
[E] Striking again.
[D#] [C#m]
[F#m] [B] [E]
Okay, so here's the bridge, or sometimes they call this the chorus.
Okay, so melodically, it's B, [G#] G sharp, F sharp, [G#m] G sharp, B, C sharp.
[E]
So that's all of the, basically an E chord, triad.
E's, E, G sharp, B.
[B]
[F#] [E]
[F#]
And you can do an E with that as you're going on the F sharp in the bass.
So again, you're just kind of striking and one, two, three, four.
And again, it kind of clashes a little bit because we're resolving [Bm] down to an F sharp minor.
[E] One, two, [F#]
three, four.
So F sharp, C sharp, F sharp, [G#] and then now it's a [G#m]
G sharp.
[N]
Key:
E
B
F#
A
F#m
E
B
F#
_ _ _ _ _
Hello, I'm Rick Barclay and I'm with Piano Clubhouse and today we're going to learn the song Nothing But The Blood.
It's written by Robert Lowry back in the mid 80s and _ _
this is a very popular song that is used for
_ _ for doing, you know, the Lord's Supper and communion and things like that.
_ So let's just dive in.
It's in the key of E.
E is this.
E, [G#] F sharp, G sharp, [B] A, [C#] B, C sharp, D sharp, E. _ _ _ _
_ _ [F#] _ _ [E] _
Okay, it is in 4-4 and there's basically two sections to it.
So it's kind of like a A-A-B-A type format. _
_ So let's just dive in. _
_ _ So basically in the right hand what's going to happen is we're doing an E chord and the melody is this.
E, E, E,
[B] F [G#m] sharp, G sharp,
_ _ B, G sharp,
_ _ [E] _ E, _
[F#] _ _ [G#] F to a G, _ [F#] _ _ F [E] sharp, E.
So very, very simple melody.
_ _ _ _ [B] _ _
[G#m] _ _ _ _ _ [E] _
_ _ _ _ [B] _ _
_ _ [F#] _ _ _ [E] _
_ Okay, so let's fill it in now.
So what's going to happen is basically it's an E triad and your
_ left hand face is going to basically ride on an E for two measures.
So [B] E's and then a B if you want to have that to [E] help fill it out.
_ And then G sharp, B and E. _ _
_ [A] _ Then [E] I'll count three.
You're going to go to basically this A over E.
[A] So an A, C [E] sharp, E,
[B] _ _ on count four, it's going to be B over E.
So again, E's on the bass, [B] B, D sharp, F sharp.
_ [E] Next measure, back to an E triad. _
Different inversion now.
So E's again on the bass, B, E, and G sharp. _ _
_ And then we back into root position, E, G sharp, B, and then back down to the second inversion. _ _ _ _
Okay, so those two measures again. _
_ _ [A] _ _ [B] _ _
[E] _ _ _ _ _ _
[D#] _ And then on count four, we're going down to basically a B over D sharp.
So D sharp's [B] in the bass, B, D sharp.
If you want to add the F sharp, you can. _ _
_ [C#m] Now here's the next measure.
_ It was the E's on the top.
So the C sharp [C#] minor, C sharp in the bass, [C#m] C sharp and E.
One and two and, and that's a D sharp, F sharp.
One and two and three.
_ So those are just kind of like [C#m] passing tones.
So all over the C sharp.
One and two and three, _ four.
So it's a C sharp minor in root position.
C sharp, E, G sharp.
_ _ One and two and three, [F#m] four. _
_ [B] _ _ [E] _ Okay, so [F#m] that measure right there is an F sharp minor.
F sharp, A, C sharp, F sharp.
And then there's [B] a little kind of a passing chord, [F#m] if you will.
One, [B] _
two, on count two, it's a B, B, D sharp.
And you hold on to that F sharp.
Because you're [F#m] basically, when you're singing, you'd be holding on to it.
_ [B] _
_ _ [E] _ _ Back to an E major.
E's, G sharp, B, _ and E.
Okay, and that basically gets repeated again.
_ _ _ _ _ _
_ _ _ Okay, so the E's, [A] _ [B] A, [E] B.
_ One, two, [A] _
[B] three, [E] four.
One, two, three, [D#] _ _
on count four, there's that walk down.
[C#m] _ _ _ _ _ _
_ _ [F#m] _ _ [B] _ _
[E] _ _ Okay, and what you do during this, if you just want to hold on to the E,
you don't have to necessarily do a bunch of movement. _
_ _ [A] _ _ [B] _ _
[E] _ _ _ _ _
See, I'm just kind of striking and one, two, and three.
Kind of just keeping a pulse going. _
If it's a very poignant type of _ moment,
then maybe just doing whole notes down there.
_ _ [A] _ _ [B] _ _
[E] _ _ Striking again. _
_ [D#] _ _ _ [C#m] _ _
_ _ _ _ _ _
[F#m] _ _ [B] _ _ [E] _
Okay, so here's the bridge, or sometimes they call this the chorus. _ _ _
Okay, so melodically, it's B, [G#] G sharp, F sharp, [G#m] G sharp, B, _ C sharp.
[E] _ _ _
So that's all of the, basically an E chord, triad.
E's, E, _ G sharp, B. _
_ _ _ _ [B] _ _
_ [F#] _ _ _ [E] _ _
_ _ [F#] _ _ _ _
And you can do an E with that as you're going on the F sharp in the bass.
So again, you're just kind of striking and one, two, three, four.
And again, it kind of clashes a little bit because we're resolving [Bm] down to an F sharp minor.
[E] _ One, two, [F#]
three, _ four.
So F sharp, C sharp, F sharp, [G#] and then now it's a [G#m] _
G _ _ sharp. _
_ _ _ _ _ _
_ _ _ _ _ [N] _
Hello, I'm Rick Barclay and I'm with Piano Clubhouse and today we're going to learn the song Nothing But The Blood.
It's written by Robert Lowry back in the mid 80s and _ _
this is a very popular song that is used for
_ _ for doing, you know, the Lord's Supper and communion and things like that.
_ So let's just dive in.
It's in the key of E.
E is this.
E, [G#] F sharp, G sharp, [B] A, [C#] B, C sharp, D sharp, E. _ _ _ _
_ _ [F#] _ _ [E] _
Okay, it is in 4-4 and there's basically two sections to it.
So it's kind of like a A-A-B-A type format. _
_ So let's just dive in. _
_ _ So basically in the right hand what's going to happen is we're doing an E chord and the melody is this.
E, E, E,
[B] F [G#m] sharp, G sharp,
_ _ B, G sharp,
_ _ [E] _ E, _
[F#] _ _ [G#] F to a G, _ [F#] _ _ F [E] sharp, E.
So very, very simple melody.
_ _ _ _ [B] _ _
[G#m] _ _ _ _ _ [E] _
_ _ _ _ [B] _ _
_ _ [F#] _ _ _ [E] _
_ Okay, so let's fill it in now.
So what's going to happen is basically it's an E triad and your
_ left hand face is going to basically ride on an E for two measures.
So [B] E's and then a B if you want to have that to [E] help fill it out.
_ And then G sharp, B and E. _ _
_ [A] _ Then [E] I'll count three.
You're going to go to basically this A over E.
[A] So an A, C [E] sharp, E,
[B] _ _ on count four, it's going to be B over E.
So again, E's on the bass, [B] B, D sharp, F sharp.
_ [E] Next measure, back to an E triad. _
Different inversion now.
So E's again on the bass, B, E, and G sharp. _ _
_ And then we back into root position, E, G sharp, B, and then back down to the second inversion. _ _ _ _
Okay, so those two measures again. _
_ _ [A] _ _ [B] _ _
[E] _ _ _ _ _ _
[D#] _ And then on count four, we're going down to basically a B over D sharp.
So D sharp's [B] in the bass, B, D sharp.
If you want to add the F sharp, you can. _ _
_ [C#m] Now here's the next measure.
_ It was the E's on the top.
So the C sharp [C#] minor, C sharp in the bass, [C#m] C sharp and E.
One and two and, and that's a D sharp, F sharp.
One and two and three.
_ So those are just kind of like [C#m] passing tones.
So all over the C sharp.
One and two and three, _ four.
So it's a C sharp minor in root position.
C sharp, E, G sharp.
_ _ One and two and three, [F#m] four. _
_ [B] _ _ [E] _ Okay, so [F#m] that measure right there is an F sharp minor.
F sharp, A, C sharp, F sharp.
And then there's [B] a little kind of a passing chord, [F#m] if you will.
One, [B] _
two, on count two, it's a B, B, D sharp.
And you hold on to that F sharp.
Because you're [F#m] basically, when you're singing, you'd be holding on to it.
_ [B] _
_ _ [E] _ _ Back to an E major.
E's, G sharp, B, _ and E.
Okay, and that basically gets repeated again.
_ _ _ _ _ _
_ _ _ Okay, so the E's, [A] _ [B] A, [E] B.
_ One, two, [A] _
[B] three, [E] four.
One, two, three, [D#] _ _
on count four, there's that walk down.
[C#m] _ _ _ _ _ _
_ _ [F#m] _ _ [B] _ _
[E] _ _ Okay, and what you do during this, if you just want to hold on to the E,
you don't have to necessarily do a bunch of movement. _
_ _ [A] _ _ [B] _ _
[E] _ _ _ _ _
See, I'm just kind of striking and one, two, and three.
Kind of just keeping a pulse going. _
If it's a very poignant type of _ moment,
then maybe just doing whole notes down there.
_ _ [A] _ _ [B] _ _
[E] _ _ Striking again. _
_ [D#] _ _ _ [C#m] _ _
_ _ _ _ _ _
[F#m] _ _ [B] _ _ [E] _
Okay, so here's the bridge, or sometimes they call this the chorus. _ _ _
Okay, so melodically, it's B, [G#] G sharp, F sharp, [G#m] G sharp, B, _ C sharp.
[E] _ _ _
So that's all of the, basically an E chord, triad.
E's, E, _ G sharp, B. _
_ _ _ _ [B] _ _
_ [F#] _ _ _ [E] _ _
_ _ [F#] _ _ _ _
And you can do an E with that as you're going on the F sharp in the bass.
So again, you're just kind of striking and one, two, three, four.
And again, it kind of clashes a little bit because we're resolving [Bm] down to an F sharp minor.
[E] _ One, two, [F#]
three, _ four.
So F sharp, C sharp, F sharp, [G#] and then now it's a [G#m] _
G _ _ sharp. _
_ _ _ _ _ _
_ _ _ _ _ [N] _