Chords for Expanding the Minor Pentatonic Box

Tempo:
119.2 bpm
Chords used:

A

C

Am

E

Em

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
Expanding the Minor Pentatonic Box chords
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[Em]
[F] [G]
Hey guys, welcome back today.
So today we're [C] going to talk about expanding the pentatonic scale, particularly the minor pentatonic.
So a lot of you guys have been asking for tips and tricks to get out of that box.
So before we look at different scales and different [G#] licks and different [E] modes or scales
like that, let's look at how can we expand our licks with the simplest form that we already know.
So let's start with the minor pentatonic scale.
Alright, so just in case you don't know that scale, we're going to do it right here over
the 5th fret over the A minor pentatonic.
So this is my 1st finger, 2nd, 3rd, 4th.
So I'll call out the fingers.
[A] 1, [C] 4, [Bm] 1, [E] 3, 1, [G] 3, [Am] 1, 3, [D]
[E] 1, 4, [Am] 1, 4.
[Am]
[E] Alright, so let's look at some basic licks and look at how we can expand those licks.
[D#] [F#]
[Cm] So what I'm doing, I'm sliding up from [D] the 7th fret to the 9th fret.
[E]
[A#] 7th [A] fret.
So [D] that's just two strings, the D string [A]
[D] and then a D string.
[A] Alright, so we can start by expanding that shape just by using octaves.
So if we take that an octave up or octave down, we'll start there.
[C]
Or octave [Am] up.
[A#] [G] And so we can connect the dots simply by sliding and connecting those phrases.
[C]
[A] [E] So what I did was I added a little passing note.
So [Am]
[N] that's the flat 7.
So we're in the key of A.
We're using the A minor pentatonic.
So [A] that's the G.
So those are that same lick, but when we expand them across three different octaves, it sounds
a little bit cooler.
[Am] [Em] And [Fm] so that's a quick way that you can actually jump around the neck.
So we've moved [A] from just that 5th fret block, from the 3rd [F#] fret all the way up to the 10th fret.
[A]
[N] Alright, so I'll give you a couple more licks where you can kind of experiment with that.
[A] Let me grab my pick.
Here's one here.
So this is a really cool lick I use all the time.
[C]
[D] [Am] [A]
[C] And I use this a lot when it's an upbeat scale or an upbeat song and I'm praising music or shouting music.
I connect the dots using [B] that.
[A]
[D] [Am] [A]
[C] I like to clean that [D] up a little bit.
[A]
Alright, so what I'm doing there, the first time I do that lick, I'm ascending so I'm going up.
[C] [Am] [C] And the rest of that lick, I'm going down, descending.
[A]
[Em] [A] So the first, I'm going up.
[N]
[Em]
[A] [D] [A]
[N]
Alright, so let's give you one more.
This one's a little sweeter.
I use this a lot with slower songs.
So, just in case you didn't know, your A minor and your C major are relatives.
So that relative major and minor moves in kind of like minor thirds.
So if we're in key of C major, the relative minor will be A minor.
Alright, so we can still play that A minor shape over a C major [C] chord.
[Em] [C]
Same thing.
But if we're playing over A [Am] minor.
[A]
So now we're putting emphasis on A instead of [C] C.
But anywho, so I'm going to still use that same shape or [F#] extension of it to kind of sweeten
up that C major sound.
[C]
That's just a C major 7.
Alright, so I'm going to just do a little sweet legato lick.
[Am] [G]
[C] Alright, so what I'm doing is simply, [G] [C] [E]
and then I take that an octave [G] up.
[E]
[Em] [F#] And then you can end it with something a little sweeter.
[C] [E]
[Em]
[G] [Am] [A]
[Am]
[N] Alright, so I hope this was helpful.
Just a quick way to expand your little box of the pentatonic shape.
See you next time.
[Em]
[F] [G]
Key:  
A
1231
C
3211
Am
2311
E
2311
Em
121
A
1231
C
3211
Am
2311
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_ _ _ _ [Em] _ _ _ _
[F] _ _ _ [G] _ _ _ _ _
_ Hey guys, welcome back today.
So today we're [C] going to talk about expanding the pentatonic scale, particularly the minor pentatonic.
_ So a lot of you guys have been asking for tips and tricks to get out of that box.
So before we look at different scales and different [G#] licks and different [E] modes or scales
like that, let's look at how can we expand our licks with the simplest form that we already know.
So let's start with the minor pentatonic scale.
_ _ Alright, so just in case you don't know that scale, we're going to do it right here over
the 5th fret _ over the A minor pentatonic.
_ _ So this is my 1st finger, 2nd, 3rd, 4th.
So I'll call out the fingers.
_ _ _ [A] _ 1, [C] 4, _ _ [Bm] 1, [E] 3, _ 1, [G] 3, _ [Am] _ 1, 3, _ [D] _ _
[E] 1, 4, _ [Am] 1, 4. _ _
_ _ _ _ _ _ [Am] _ _
_ _ _ _ [E] _ _ Alright, so let's look at some basic licks and look at how we can expand those licks.
_ _ [D#] _ _ [F#] _ _ _ _
[Cm] _ So what I'm doing, I'm sliding up from [D] the 7th fret to the 9th fret.
[E] _ _ _ _ _ _
[A#] _ _ _ 7th [A] fret. _ _
So [D] that's just two strings, the D string _ [A] _
[D] and then a D string.
[A] _ _ _ Alright, so we can start by expanding that shape just by using octaves.
So if we take that an octave up or octave down, we'll start there. _
_ _ _ _ _ _ _ _
_ _ _ [C] _ _ _ _ _
_ _ Or octave [Am] up. _ _ _
[A#] _ _ [G] And so we can connect the dots simply by sliding and connecting those phrases.
[C] _ _ _ _
_ _ _ [A] _ _ [E] So what I did was I added a little passing note.
So [Am] _ _ _ _ _
[N] _ that's the flat 7.
So we're in the key of A. _
We're using the A minor pentatonic.
So [A] that's the G. _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
So those are that same lick, but when we expand them across three different octaves, it sounds
a little bit cooler. _ _
[Am] _ _ _ _ _ [Em] And [Fm] so that's a quick way that you can actually jump around the neck.
So we've moved [A] from just that 5th fret block, _ from the 3rd [F#] fret all the way up to the 10th fret.
[A] _ _ _ _ _ _
_ _ [N] Alright, so I'll give you a couple more licks where you can kind of experiment with that.
[A] Let me grab my pick. _
Here's one here.
So this is a really cool lick I use all the time.
_ _ _ [C] _ _ _ _ _
_ [D] _ _ [Am] _ _ [A] _ _ _
[C] And I use this a lot when it's an upbeat scale or an upbeat song and I'm praising music or shouting music.
I connect the dots using [B] that.
_ [A] _ _ _
[D] _ [Am] _ _ _ _ _ [A] _ _
[C] I like to clean that [D] up a little bit.
_ _ [A] _
_ _ _ Alright, so what I'm doing there, _ _ _ the first time I do that lick, _ _ _ I'm ascending so I'm going up.
[C] _ _ _ [Am] _ _ [C] And the rest of that lick, I'm going down, descending.
_ [A] _ _ _ _
[Em] _ _ _ [A] _ _ So the first, _ I'm going up. _ _ _ _
_ _ _ _ [N] _ _ _ _
_ _ [Em] _ _ _ _ _ _
[A] _ _ _ [D] _ _ [A] _ _ _
_ _ _ _ [N] _ _ _ _
Alright, so let's give you one more.
This one's a little sweeter.
I use this a lot with slower songs.
_ _ So, just in case you didn't know, your A minor and your C major are relatives.
So that relative major and minor moves in kind of like minor thirds.
So if we're in key of C major, the relative minor will be A minor.
_ Alright, so we can still play that A minor shape over a C major [C] chord. _ _ _ _
[Em] _ _ _ _ [C] _ _ _ _
_ _ _ Same thing. _
But if we're playing over A [Am] minor.
_ _ _ _ [A] _
_ So now we're putting emphasis on A instead of [C] C.
_ But anywho, so I'm going to still use that same shape or [F#] extension of it to kind of sweeten
up that C major sound.
[C] _ _
_ _ That's just a C major 7. _ _
_ _ _ _ _ _ _
Alright, so I'm going to just do a little sweet legato lick. _
_ [Am] _ _ _ _ _ [G] _ _
[C] _ _ _ _ _ Alright, so what I'm doing is simply, [G] _ _ _ [C] _ _ [E] _
_ and then I take that an octave [G] up. _ _ _
[E] _ _ _ _ _ _ _ _
_ _ _ [Em] _ _ [F#] And then you can end it with something a little sweeter.
_ [C] _ _ _ [E] _ _
_ [Em] _ _ _ _ _ _ _
_ [G] _ _ [Am] _ _ _ _ [A] _
_ _ _ _ [Am] _ _ _ _
[N] _ Alright, so I hope this was helpful.
Just a quick way to expand _ your little box of the pentatonic shape.
_ _ See you next time. _
_ _ _ _ _ _ [Em] _ _
_ [F] _ _ [G] _ _ _ _ _