Chords for Joe Brown - Later With Jools

Tempo:
114.65 bpm
Chords used:

A

E

D

Dm

Am

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
Joe Brown - Later With Jools chords
Start Jamming...
Now I'm going to put it this way.
A lot of people have idolised the Beatles, but who did the Beatles idolise?
Well, I'm delighted to say he's over here at the moment.
We welcome Joe Brown!
Thank you, it's great to see you.
Well, Joe, of course, I mean, in those early days, the Beatles were the turd supporting you, didn't they?
Yeah, well, it was no big deal.
It was old Brian Epstein, he was putting some shows up in Liverpool,
and I had a bit of a hit record at the time, and he wanted the boys to play in the bigger [E] theatres.
So he booked me and they come and open the show.
But, you know, I knew right from the off that something was happening there.
But what was the first TV show that you did?
When was that?
Well, I got a great job.
It was the best job in the world.
I got the job as the lead guitar player on a show produced by Jack Good.
I couldn't read a note of music, you know, so the Americans used to have to send their records over,
and I used to have to learn all the guitar solos off the record, you know.
But you played with all sorts of Johnny Cash, endless people.
The first one I did was Johnny Cash, and he got me the sax straight off.
Because he was doing this song, How high, how high is the water, mama?
You know, four foot high and rising.
He kept going up, How high is the water, mama?
Four foot, five foot, six foot.
And all I got to play is this [A] Luther Perkins.
[E] That's all I had [A] to play, you know.
[E] And I got to about nine foot, and I was getting fed up with it, so I went, How high?
[A]
He said, Hold it!
And he looked across and he said, Joe, there'll be no picking there.
And I got the bloody sax on the spot.
He got you the job back, didn't he?
Got me the job back, yeah.
Exactly, that's right.
Well, now, we've got, actually, we've got some footage of you here, I think.
Let's have a look.
We've got a nice bit of footage of you here.
Let's have a look.
Is that me?
[B] I love you,
[Dm] Samantha.
[B] My love will never [Dm] die.
[Am] [G] [Dm]
[Em] [A] Remember,
[Dm] Samantha, [D]
I [C] am a wife.
[Dm] [G]
[Em] [E] [N] I've never seen
Were you singing that for your daughter, actually?
I've [G] never seen, I've never seen me on anything without a guitar.
I didn't even know I'd done that.
It's bloody horrible.
We like it.
Was it for Sam, your daughter?
Sam, my daughter, yeah.
She'll be thrilled to bits with that.
I know, yeah.
I didn't even know I did it.
And, I mean, is it true that over the years, of course, there's been a lot of people that have been banned from the BBC?
I'm always getting banned.
Have you been banned yourself?
Oh, yeah, two or three times, yeah.
What for?
I can't believe you
Well, I did a George Formby song once, and they banned me for that.
Well, speaking of George Formby, that was, of course, the other, I mean, George [Ab] Harrison was obsessed with George [Em] Formby.
He loved you.
And he loved you, because you could play all those
[Abm] On an evening, what he loved best, I think, was playing those songs with you, because you knew those songs.
Yeah, well, we were both sort of ukulele freaks, you know, we both played the ukulele.
Actually, George got, surprised me, because he, you know, he was a bit of a recluse.
He was known for being a recluse.
But he had the whole of the George Formby fan club from Blackpool round his house once.
For tea.
Hundreds of them, yeah, for tea.
What a treat.
Yeah, it was lovely, yeah.
In a minute, what are you going to play for us?
I was going to play a little tune that we finished a show, that we did a [E] tribute show for George.
It's a very old song, it's a song that I grew up with myself, and it's a lovely old tune, which actually was reintroduced to me by George.
We always close our show with it, because it's just a lovely old song.
We'll hear that in a minute, but could you give us a little bit of your guitar boogie, which is what you started off [Am] being famous for.
That's what you started being well known for, with your guitar boogie.
[A] I don't know if you can hear.
I'm one of the baby, whole lot of shit going on.
[D] I'm one of the baby, baby you can't [A] go wrong.
[E] We ain't fake, [D] whole lot of shit [A] going on.
[Am]
[A] [A]
[D] [Am]
[E] [Am]
[A] Shake, baby shake, shake, baby shake, [D] shake, baby shake, [A] shake, baby shake.
[E] Come on over, [D] whole lot of shit going [A] on.
Come [E] on over, [D] whole lot of shit going on.
Come on [A] over.
[N]
The very best of the heck for a moment, Joe Brown.
Key:  
A
1231
E
2311
D
1321
Dm
2311
Am
2311
A
1231
E
2311
D
1321
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Chords
NotesBeta

To learn Joe Brown - (Later... With Jools Holland, 08.02.2008) Whole Lotta Shakin Goin On chords, begin by getting comfortable with these sequence: Am, A, E, D, A and D. Kick off your practice at a gentle 57 BPM, then escalate to the song's tempo of 115 BPM. Adjust the capo based on your vocal range and chord preference, keeping the song's key of A Major in mind.

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_ Now I'm going to put it this way.
A lot of people have idolised the Beatles, but who did the Beatles idolise?
Well, I'm delighted to say he's over here at the moment.
We welcome Joe Brown! _ _
Thank you, it's great to see you.
_ Well, Joe, of course, I mean, in those early days, the Beatles were the turd supporting you, didn't they?
Yeah, well, it was no big deal.
It was old Brian Epstein, he was putting some shows up in Liverpool,
_ and I had a bit of a hit record at the time, and he wanted the boys to play in the bigger [E] theatres.
So he booked me and they come and open the show.
But, you know, I knew right from the off that something was happening there.
But what was the first TV show that you did?
When was that?
Well, I got a great job.
It was the best job in the world.
I got the job as the lead guitar player on a show produced by Jack Good.
I couldn't read a note of music, you know, so the Americans used to have to send their records over,
and I used to have to learn all the guitar solos off the record, you know.
But you played with all sorts of Johnny Cash, endless people.
The first one I did was Johnny Cash, and he got me the sax straight off.
Because he was doing this song, How high, how high is the water, mama?
You know, four foot high and rising.
He kept going up, How high is the water, mama?
Four foot, five foot, six foot.
And all I got to play is this [A] Luther Perkins.
_ _ [E] That's all I had [A] to play, you know.
[E] And I got to about nine foot, and I was getting fed up with it, so I went, How high?
[A] _
_ He said, Hold it!
And he looked across and he said, Joe, there'll be no picking there.
And I got the bloody sax on the spot.
He got you the job back, didn't he?
Got me the job back, yeah.
Exactly, that's right.
Well, now, we've got, actually, we've got some footage of you here, I think.
Let's have a look.
We've got a nice bit of footage of you here.
Let's have a look. _ _ _
Is that me?
[B] I love you, _ _
_ _ [Dm] Samantha. _ _ _ _
_ _ [B] My love _ _ _ _ will never [Dm] die.
_ [Am] _ [G] _ _ [Dm] _
[Em] _ _ [A] Remember, _ _ _ _
_ [Dm] Samantha, _ _ [D] _ _
I [C] am a wife.
_ _ [Dm] _ _ [G] _
_ [Em] _ _ [E] _ _ [N] _ I've never seen_
_ _ _ Were you singing that for your daughter, actually?
I've [G] never seen, I've never seen me on anything without a guitar.
I didn't even know I'd done that.
It's bloody horrible.
_ We like it.
Was it for Sam, your daughter?
Sam, my daughter, yeah.
She'll be thrilled to bits with that.
I know, yeah.
I didn't even know I did it.
And, I mean, is it true that over the years, of course, there's been a lot of people that have been banned from the BBC?
I'm always getting banned.
Have you been banned yourself?
Oh, yeah, two or three times, yeah.
What for?
I can't believe you_
Well, I did a George Formby song once, and they banned me for that.
Well, speaking of George Formby, that was, of course, the other, I mean, _ _ George [Ab] Harrison was obsessed with George [Em] Formby.
He loved you.
And he loved you, because you could play all those_
[Abm] On an evening, what he loved best, I think, was playing those songs with you, because you knew those songs.
Yeah, well, we were both sort of ukulele freaks, you know, we both played the ukulele.
Actually, George got, _ surprised me, because he, you know, he was a bit of a recluse.
He was known for being a recluse.
But he had the whole of the George Formby fan club from Blackpool round his house once.
For tea.
Hundreds of them, yeah, for tea.
What a treat.
Yeah, it was lovely, yeah.
In a minute, what are you going to play for us?
I was going to play a little tune that we finished a show, that we did a [E] tribute show for George.
It's a very old song, it's a song that I grew up with myself, and it's a lovely old tune, which actually was _ reintroduced to me by George.
_ We always close our show with it, because it's just a lovely old song.
We'll hear that in a minute, but could you give us a little bit of your guitar boogie, which is what you started off [Am] being famous for.
That's what you started being well known for, with your guitar boogie. _
[A] I don't know if you can hear. _ _ _ _ _
_ _ _ _ _ _ I'm one of the baby, whole lot of shit going on. _ _ _
[D] I'm one of the baby, baby you can't [A] go wrong.
_ _ [E] We ain't fake, _ [D] whole lot of shit [A] going on.
_ _ _ [Am] _ _
_ _ _ _ [A] _ _ _ [A] _
_ [D] _ _ _ _ _ [Am] _ _
_ _ _ [E] _ _ _ _ [Am] _
_ [A] _ _ _ _ _ Shake, baby shake, _ shake, baby shake, [D] shake, baby shake, _ [A] shake, baby shake.
[E] Come on over, _ [D] whole lot of shit going [A] on.
_ _ Come [E] on over, _ [D] whole lot of shit going on.
Come on [A] over. _ _ _ _ _ _ _
_ _ _ _ _ _ [N] _ _
The very best of the heck for a moment, Joe Brown.
_ _ _ _ _ _ _ _

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