Chords for Julia Delaney: Trad Irish Fiddle Lesson by Kevin Burke
Tempo:
97.55 bpm
Chords used:
Dm
D
Bm
G
B
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[D#] [G]
[C#] [Dm]
[B]
[Dm]
[C] [Dm]
[D]
[Dm]
[D] [Dm]
[D]
[Dm] [D]
[Dm] [C] [B]
[C#] [B]
So here we go with a very basic version of the tune Juliet Delaney.
It's a tune that's played a lot in Ireland, but it probably was born in Chicago.
There was a famous music collector in Chicago, the police chief, Francis O'Neill,
and he used to collect music from so many of the Irish immigrants that moved to Chicago in the late 1800s, early 1900s.
And he compiled a lot of them into a famous collection, a famous book,
which is like the Bible of Irish tunes for many people, the O'Neill's collection.
But Juliet Delaney was his wife's sister, so it's presumed somebody who knew them in Chicago put this tune together and named it after O'Neill's sister-in-law.
[C#] So [F]
[Bm] [Fm] that's the opening phrase, and it's mainly built around [A] those three long notes.
[Fm] [Bm] [Fm] And then the next phrase, [D] [G]
[D] so the two together,
[Fm] [Bm] [Dm] [Bm]
and they're usually linked by an A pick-up note.
[A#] So here's the tune Juliet Delaney with a few embellishments and ideas that you might like.
The long notes at the beginning, I usually put rolls on them.
So, sometimes I [D] don't go back up to the F natural.
[E] I go [F#m] down to the open D, and because [G] it's an open string, it won't have the roll on it.
[F#] I usually just leave it as it [Bm] is.
[G] [F#] [B]
[Bm]
[F#m] [G]
[D] [Bm] [G]
[C#] [Dm]
[B]
[Dm]
[C] [Dm]
[D]
[Dm]
[D] [Dm]
[D]
[Dm] [D]
[Dm] [C] [B]
[C#] [B]
So here we go with a very basic version of the tune Juliet Delaney.
It's a tune that's played a lot in Ireland, but it probably was born in Chicago.
There was a famous music collector in Chicago, the police chief, Francis O'Neill,
and he used to collect music from so many of the Irish immigrants that moved to Chicago in the late 1800s, early 1900s.
And he compiled a lot of them into a famous collection, a famous book,
which is like the Bible of Irish tunes for many people, the O'Neill's collection.
But Juliet Delaney was his wife's sister, so it's presumed somebody who knew them in Chicago put this tune together and named it after O'Neill's sister-in-law.
[C#] So [F]
[Bm] [Fm] that's the opening phrase, and it's mainly built around [A] those three long notes.
[Fm] [Bm] [Fm] And then the next phrase, [D] [G]
[D] so the two together,
[Fm] [Bm] [Dm] [Bm]
and they're usually linked by an A pick-up note.
[A#] So here's the tune Juliet Delaney with a few embellishments and ideas that you might like.
The long notes at the beginning, I usually put rolls on them.
So, sometimes I [D] don't go back up to the F natural.
[E] I go [F#m] down to the open D, and because [G] it's an open string, it won't have the roll on it.
[F#] I usually just leave it as it [Bm] is.
[G] [F#] [B]
[Bm]
[F#m] [G]
[D] [Bm] [G]
Key:
Dm
D
Bm
G
B
Dm
D
Bm
_ _ _ _ _ _ _ _
[D#] _ _ _ [G] _ _ _ _ _
_ _ _ _ _ _ _ _
[C#] _ _ _ [Dm] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [B] _
_ _ _ _ [Dm] _ _ _ _
_ _ _ [C] _ _ [Dm] _ _ _
_ _ [D] _ _ _ _ _ _
_ _ _ _ _ _ [Dm] _ _
_ [D] _ _ _ [Dm] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [D] _ _ _ _ _ _ _
_ [Dm] _ _ _ _ [D] _ _ _
_ _ _ _ _ _ _ _
[Dm] _ _ _ [C] _ _ _ [B] _ _
[C#] _ _ _ _ [B] _ _ _ _
_ So here we go with a very basic version of the tune Juliet Delaney. _ _ _ _
It's a tune that's played a lot in Ireland, but it probably was born in Chicago.
_ _ _ There was a famous music collector _ in Chicago, the police chief, Francis O'Neill,
and he used to collect _ music from so many of the Irish immigrants that moved to Chicago in the late 1800s, early 1900s. _
And he compiled a lot of them into a famous collection, a famous book,
which is like the Bible of _ Irish tunes for many people, the O'Neill's collection. _ _
But Juliet Delaney was his wife's sister, so it's presumed _ somebody who knew them in Chicago _ put this tune together and named it after O'Neill's sister-in-law.
_ _ _ [C#] So [F] _ _
_ [Bm] _ [Fm] _ _ _ that's the opening phrase, and it's mainly built around [A] those three long notes.
_ [Fm] _ [Bm] _ _ [Fm] _ _ And then the next phrase, _ [D] _ _ _ _ [G] _
_ [D] _ _ _ so the two together, _
[Fm] _ [Bm] _ _ [Dm] _ _ _ [Bm] _ _
_ and they're usually linked by an A pick-up note.
[A#] So here's the tune Juliet Delaney with a few embellishments and ideas that you might like.
The long notes at the beginning, I usually put rolls on them. _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ So, sometimes I [D] don't go back up to the F natural.
_ _ _ _ _ [E] I go [F#m] down to the open D, and because [G] it's an open string, it won't have the roll on it.
[F#] I usually just leave it as it [Bm] is. _ _ _
[G] _ _ [F#] _ _ [B] _ _ _ _
_ [Bm] _ _ _ _ _ _ _
[F#m] _ _ _ _ _ _ _ [G] _
_ [D] _ _ [Bm] _ _ _ _ [G] _
[D#] _ _ _ [G] _ _ _ _ _
_ _ _ _ _ _ _ _
[C#] _ _ _ [Dm] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [B] _
_ _ _ _ [Dm] _ _ _ _
_ _ _ [C] _ _ [Dm] _ _ _
_ _ [D] _ _ _ _ _ _
_ _ _ _ _ _ [Dm] _ _
_ [D] _ _ _ [Dm] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [D] _ _ _ _ _ _ _
_ [Dm] _ _ _ _ [D] _ _ _
_ _ _ _ _ _ _ _
[Dm] _ _ _ [C] _ _ _ [B] _ _
[C#] _ _ _ _ [B] _ _ _ _
_ So here we go with a very basic version of the tune Juliet Delaney. _ _ _ _
It's a tune that's played a lot in Ireland, but it probably was born in Chicago.
_ _ _ There was a famous music collector _ in Chicago, the police chief, Francis O'Neill,
and he used to collect _ music from so many of the Irish immigrants that moved to Chicago in the late 1800s, early 1900s. _
And he compiled a lot of them into a famous collection, a famous book,
which is like the Bible of _ Irish tunes for many people, the O'Neill's collection. _ _
But Juliet Delaney was his wife's sister, so it's presumed _ somebody who knew them in Chicago _ put this tune together and named it after O'Neill's sister-in-law.
_ _ _ [C#] So [F] _ _
_ [Bm] _ [Fm] _ _ _ that's the opening phrase, and it's mainly built around [A] those three long notes.
_ [Fm] _ [Bm] _ _ [Fm] _ _ And then the next phrase, _ [D] _ _ _ _ [G] _
_ [D] _ _ _ so the two together, _
[Fm] _ [Bm] _ _ [Dm] _ _ _ [Bm] _ _
_ and they're usually linked by an A pick-up note.
[A#] So here's the tune Juliet Delaney with a few embellishments and ideas that you might like.
The long notes at the beginning, I usually put rolls on them. _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ So, sometimes I [D] don't go back up to the F natural.
_ _ _ _ _ [E] I go [F#m] down to the open D, and because [G] it's an open string, it won't have the roll on it.
[F#] I usually just leave it as it [Bm] is. _ _ _
[G] _ _ [F#] _ _ [B] _ _ _ _
_ [Bm] _ _ _ _ _ _ _
[F#m] _ _ _ _ _ _ _ [G] _
_ [D] _ _ [Bm] _ _ _ _ [G] _