Chords for Beyoncé ft. R. Kelly - If I Were A Boy (Remix)
Tempo:
90.1 bpm
Chords used:
B
F#
D#m
C#
C#m
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
If I were a boy, [B]
[F#] [C#] even just for [D#m] a day, [B]
[F#] [C#] I'd roll [D#m] out of bed in [B] the morning [F#] and throw on
[C#] what I wanted and [D#m] go [B] drink [F#] [C#] beer with [D#m] the guys [B]
[F#] [C#] and chase after [D#m] girls.
[B]
[F#] [C#] [D#m] I'd kick it with [B] who I wanted [F#] and I never could confront it [D#m] for it, [B] cause they'd stick up for [F#] me.
If I were, [D#m] [B]
[F#] [C#] [D#m] [B]
[F#] [C#] I [D#m] would feel the [B] love of God, [F#] I swear I'd be [C#] a better [D#m] [B] man.
I'd [F#] [C#] listen to [D#m] her [B]
[F#] when [D#m] [B]
[F#] [C#] [D#m] you lose the [B] one you wanted, [F#] but he's taking [C#] you for granted [B] and everything you had got destroyed.
If [D#m] you were a boy, [B]
[F#] then [C#] girl you'd [D#] understand, [B]
[F#] [C#] you need to [D#m] stop listening to [B] your friends.
[F#] Love, [C#] respect and trust [D#m] your man.
[B]
[F#] So [C#] I'd go to clubs with [D#m] the [F#] guys and sometimes flirt with [D#m] the girls.
[B]
[F#] I [D#m] should be [B] able to roll out [F#] as long as I'm coming home [D#m] to you [B] and give you [F#] the world.
[C#] But you're not [D#m] a boy, [B]
[F#] [C#] so you [D#m] don't go.
[B]
[F#] Babe, [C#] [D#m] now I'm working [B] pay the bills, [F#] now everything [C#] I do is [D#m] for you.
[B]
[F#] [C#] I'd listen [D#m] to her [B]
[F#] [C#] [D#m] [B]
[F#] [C#] [D#m] when you lose the [B] one you wanted, [F#] but he's taking [C#] you for granted [B] and everything you had got destroyed.
[D#m] If I were a boy, [B] if I were [F#] a girl, [C#] I would turn off [D#m] my phone.
[B] I wouldn't [F#] play [C#] games.
[D#m] Tell everyone [B] it's broken, [F#] so they think that [C#] I was sleeping [D#m] alone.
[B] Girl, you know [F#] that's wrong.
[C#] I put [D#m] myself [B] first
[F#] and [C#] make the rules as [D#m] I go.
[B]
[F#] [C#] [D#m] Cause I know that [B] she'd be faithful, [F#] waiting [C#] for me to [D#m] come [B] home.
[F#] [C#] But you're not [D#m] a boy, [B]
[F#] [C#] so you can't [D#m] understand.
[B]
[F#] [C#] [D#m] You are not a [B] perfect woman [F#] and I am [C#] not a [D#m] [B] perfect [F#] woman.
[C#] I'd listen [D#m] to her [B]
[F#] [C#] [D#m] [B] when I know how [F#] you feel.
[C#] [D#m] When you lose the [B] one you wanted, [F#] but he's taking [C#] you for granted [F#] and everything you had got destroyed.
Said I'm [G#m] sorry, [B] it's a little [F#] too late for [C#] you to [G#m] come back.
[B] But I can't let [D#m] you go, [C#] cause I'm too [G#m] attached.
[B] If you can't [D#m] wait for [C#] you, you [B] gotta run.
[F#] No, no, [C#] but you're just [D#m] a boy.
[B] [F#] [C#]
[G#] [C#m]
[C#m] For the hottest hip [A]-hop and R&B tracks, [G#] hit up trackfiends.net. [C#m] We got that fire.
For [A] producers, be sure to cop that exclusive sound [G#] kit, containing over [C#m] 9,000 professional sounds at trackfiends [B].net.
[G#] [C#] [C#m] [A]
[F#] [C#] even just for [D#m] a day, [B]
[F#] [C#] I'd roll [D#m] out of bed in [B] the morning [F#] and throw on
[C#] what I wanted and [D#m] go [B] drink [F#] [C#] beer with [D#m] the guys [B]
[F#] [C#] and chase after [D#m] girls.
[B]
[F#] [C#] [D#m] I'd kick it with [B] who I wanted [F#] and I never could confront it [D#m] for it, [B] cause they'd stick up for [F#] me.
If I were, [D#m] [B]
[F#] [C#] [D#m] [B]
[F#] [C#] I [D#m] would feel the [B] love of God, [F#] I swear I'd be [C#] a better [D#m] [B] man.
I'd [F#] [C#] listen to [D#m] her [B]
[F#] when [D#m] [B]
[F#] [C#] [D#m] you lose the [B] one you wanted, [F#] but he's taking [C#] you for granted [B] and everything you had got destroyed.
If [D#m] you were a boy, [B]
[F#] then [C#] girl you'd [D#] understand, [B]
[F#] [C#] you need to [D#m] stop listening to [B] your friends.
[F#] Love, [C#] respect and trust [D#m] your man.
[B]
[F#] So [C#] I'd go to clubs with [D#m] the [F#] guys and sometimes flirt with [D#m] the girls.
[B]
[F#] I [D#m] should be [B] able to roll out [F#] as long as I'm coming home [D#m] to you [B] and give you [F#] the world.
[C#] But you're not [D#m] a boy, [B]
[F#] [C#] so you [D#m] don't go.
[B]
[F#] Babe, [C#] [D#m] now I'm working [B] pay the bills, [F#] now everything [C#] I do is [D#m] for you.
[B]
[F#] [C#] I'd listen [D#m] to her [B]
[F#] [C#] [D#m] [B]
[F#] [C#] [D#m] when you lose the [B] one you wanted, [F#] but he's taking [C#] you for granted [B] and everything you had got destroyed.
[D#m] If I were a boy, [B] if I were [F#] a girl, [C#] I would turn off [D#m] my phone.
[B] I wouldn't [F#] play [C#] games.
[D#m] Tell everyone [B] it's broken, [F#] so they think that [C#] I was sleeping [D#m] alone.
[B] Girl, you know [F#] that's wrong.
[C#] I put [D#m] myself [B] first
[F#] and [C#] make the rules as [D#m] I go.
[B]
[F#] [C#] [D#m] Cause I know that [B] she'd be faithful, [F#] waiting [C#] for me to [D#m] come [B] home.
[F#] [C#] But you're not [D#m] a boy, [B]
[F#] [C#] so you can't [D#m] understand.
[B]
[F#] [C#] [D#m] You are not a [B] perfect woman [F#] and I am [C#] not a [D#m] [B] perfect [F#] woman.
[C#] I'd listen [D#m] to her [B]
[F#] [C#] [D#m] [B] when I know how [F#] you feel.
[C#] [D#m] When you lose the [B] one you wanted, [F#] but he's taking [C#] you for granted [F#] and everything you had got destroyed.
Said I'm [G#m] sorry, [B] it's a little [F#] too late for [C#] you to [G#m] come back.
[B] But I can't let [D#m] you go, [C#] cause I'm too [G#m] attached.
[B] If you can't [D#m] wait for [C#] you, you [B] gotta run.
[F#] No, no, [C#] but you're just [D#m] a boy.
[B] [F#] [C#]
[G#] [C#m]
[C#m] For the hottest hip [A]-hop and R&B tracks, [G#] hit up trackfiends.net. [C#m] We got that fire.
For [A] producers, be sure to cop that exclusive sound [G#] kit, containing over [C#m] 9,000 professional sounds at trackfiends [B].net.
[G#] [C#] [C#m] [A]
Key:
B
F#
D#m
C#
C#m
B
F#
D#m
_ If I were a boy, [B] _ _
[F#] _ [C#] even just for [D#m] a day, [B] _ _
[F#] _ _ [C#] I'd roll [D#m] out of bed in [B] the morning [F#] and throw on
[C#] what I wanted and [D#m] go [B] drink [F#] _ [C#] beer with [D#m] the guys [B] _ _
[F#] _ [C#] and chase after [D#m] girls.
[B] _ _
[F#] _ _ [C#] _ [D#m] I'd kick it with [B] who I wanted [F#] and I never could confront it [D#m] for it, [B] cause they'd stick up for [F#] me.
If I were, [D#m] _ _ [B] _ _
[F#] _ _ [C#] _ _ [D#m] _ _ [B] _ _
[F#] _ _ [C#] I [D#m] would feel the [B] love of God, [F#] I swear I'd be [C#] a better [D#m] _ [B] man.
I'd [F#] _ _ [C#] listen to [D#m] her _ [B] _
[F#] when _ _ _ [D#m] _ _ [B] _ _
[F#] _ _ [C#] _ [D#m] you lose the [B] one you wanted, [F#] but he's taking [C#] you for granted [B] and everything you had got destroyed.
If [D#m] you were a boy, [B] _ _
[F#] then [C#] girl you'd [D#] understand, _ [B] _ _
[F#] _ [C#] you need to [D#m] stop listening to [B] your friends.
[F#] Love, [C#] respect and trust [D#m] your man.
[B] _ _
[F#] So [C#] I'd go to clubs with [D#m] the [F#] guys _ and sometimes flirt with [D#m] the girls.
[B] _ _
[F#] _ _ I [D#m] should be [B] able to roll out [F#] as long as I'm coming home [D#m] to you [B] and give you [F#] the world.
[C#] But you're not [D#m] a boy, [B] _ _
[F#] _ [C#] so you [D#m] don't go.
[B] _
[F#] Babe, _ [C#] _ [D#m] now I'm working [B] pay the bills, [F#] now everything [C#] I do is [D#m] for you.
[B] _ _
[F#] _ _ [C#] I'd listen [D#m] to her _ [B] _ _
[F#] _ _ [C#] _ _ [D#m] _ _ [B] _ _
[F#] _ _ [C#] _ [D#m] when you lose the [B] one you wanted, [F#] but he's taking [C#] you for granted [B] and everything you had got destroyed.
[D#m] If I were a boy, [B] if I were [F#] a girl, [C#] I would turn off [D#m] my phone.
[B] I wouldn't [F#] play [C#] games.
[D#m] Tell everyone [B] it's broken, [F#] so they think that [C#] I was sleeping [D#m] alone.
[B] Girl, you know [F#] that's wrong.
[C#] I put [D#m] myself [B] first _
[F#] and [C#] make the rules as [D#m] I go.
[B] _ _
[F#] _ _ [C#] _ [D#m] Cause I know that [B] she'd be faithful, [F#] waiting [C#] for me to [D#m] come [B] home. _
[F#] _ [C#] But you're not [D#m] a boy, _ [B] _ _
[F#] _ [C#] so you can't [D#m] understand.
[B] _ _
[F#] _ _ [C#] _ [D#m] You are not a [B] perfect woman [F#] and I am [C#] not a _ [D#m] _ _ [B] perfect [F#] woman.
[C#] I'd listen [D#m] to her [B] _ _
[F#] _ _ [C#] _ _ [D#m] _ [B] when I know how [F#] you feel.
[C#] _ [D#m] When you lose the [B] one you wanted, [F#] but he's taking [C#] you for granted [F#] and everything you had got destroyed.
Said I'm [G#m] sorry, [B] it's a little [F#] too late for [C#] you to [G#m] come back.
[B] But I can't let [D#m] you go, [C#] cause I'm too [G#m] attached.
[B] If you can't [D#m] wait for [C#] you, you [B] gotta run.
[F#] No, no, [C#] _ but you're just [D#m] a boy.
[B] _ _ [F#] _ _ [C#] _ _ _ _
_ _ _ [G#] _ _ _ [C#m] _
[C#m] For the hottest hip [A]-hop and R&B tracks, [G#] hit up trackfiends.net. [C#m] We got that fire.
For [A] producers, be sure to cop that exclusive sound [G#] kit, containing over [C#m] 9,000 professional sounds at trackfiends [B].net. _ _ _
[G#] _ _ [C#] _ _ [C#m] _ _ [A] _ _
[F#] _ [C#] even just for [D#m] a day, [B] _ _
[F#] _ _ [C#] I'd roll [D#m] out of bed in [B] the morning [F#] and throw on
[C#] what I wanted and [D#m] go [B] drink [F#] _ [C#] beer with [D#m] the guys [B] _ _
[F#] _ [C#] and chase after [D#m] girls.
[B] _ _
[F#] _ _ [C#] _ [D#m] I'd kick it with [B] who I wanted [F#] and I never could confront it [D#m] for it, [B] cause they'd stick up for [F#] me.
If I were, [D#m] _ _ [B] _ _
[F#] _ _ [C#] _ _ [D#m] _ _ [B] _ _
[F#] _ _ [C#] I [D#m] would feel the [B] love of God, [F#] I swear I'd be [C#] a better [D#m] _ [B] man.
I'd [F#] _ _ [C#] listen to [D#m] her _ [B] _
[F#] when _ _ _ [D#m] _ _ [B] _ _
[F#] _ _ [C#] _ [D#m] you lose the [B] one you wanted, [F#] but he's taking [C#] you for granted [B] and everything you had got destroyed.
If [D#m] you were a boy, [B] _ _
[F#] then [C#] girl you'd [D#] understand, _ [B] _ _
[F#] _ [C#] you need to [D#m] stop listening to [B] your friends.
[F#] Love, [C#] respect and trust [D#m] your man.
[B] _ _
[F#] So [C#] I'd go to clubs with [D#m] the [F#] guys _ and sometimes flirt with [D#m] the girls.
[B] _ _
[F#] _ _ I [D#m] should be [B] able to roll out [F#] as long as I'm coming home [D#m] to you [B] and give you [F#] the world.
[C#] But you're not [D#m] a boy, [B] _ _
[F#] _ [C#] so you [D#m] don't go.
[B] _
[F#] Babe, _ [C#] _ [D#m] now I'm working [B] pay the bills, [F#] now everything [C#] I do is [D#m] for you.
[B] _ _
[F#] _ _ [C#] I'd listen [D#m] to her _ [B] _ _
[F#] _ _ [C#] _ _ [D#m] _ _ [B] _ _
[F#] _ _ [C#] _ [D#m] when you lose the [B] one you wanted, [F#] but he's taking [C#] you for granted [B] and everything you had got destroyed.
[D#m] If I were a boy, [B] if I were [F#] a girl, [C#] I would turn off [D#m] my phone.
[B] I wouldn't [F#] play [C#] games.
[D#m] Tell everyone [B] it's broken, [F#] so they think that [C#] I was sleeping [D#m] alone.
[B] Girl, you know [F#] that's wrong.
[C#] I put [D#m] myself [B] first _
[F#] and [C#] make the rules as [D#m] I go.
[B] _ _
[F#] _ _ [C#] _ [D#m] Cause I know that [B] she'd be faithful, [F#] waiting [C#] for me to [D#m] come [B] home. _
[F#] _ [C#] But you're not [D#m] a boy, _ [B] _ _
[F#] _ [C#] so you can't [D#m] understand.
[B] _ _
[F#] _ _ [C#] _ [D#m] You are not a [B] perfect woman [F#] and I am [C#] not a _ [D#m] _ _ [B] perfect [F#] woman.
[C#] I'd listen [D#m] to her [B] _ _
[F#] _ _ [C#] _ _ [D#m] _ [B] when I know how [F#] you feel.
[C#] _ [D#m] When you lose the [B] one you wanted, [F#] but he's taking [C#] you for granted [F#] and everything you had got destroyed.
Said I'm [G#m] sorry, [B] it's a little [F#] too late for [C#] you to [G#m] come back.
[B] But I can't let [D#m] you go, [C#] cause I'm too [G#m] attached.
[B] If you can't [D#m] wait for [C#] you, you [B] gotta run.
[F#] No, no, [C#] _ but you're just [D#m] a boy.
[B] _ _ [F#] _ _ [C#] _ _ _ _
_ _ _ [G#] _ _ _ [C#m] _
[C#m] For the hottest hip [A]-hop and R&B tracks, [G#] hit up trackfiends.net. [C#m] We got that fire.
For [A] producers, be sure to cop that exclusive sound [G#] kit, containing over [C#m] 9,000 professional sounds at trackfiends [B].net. _ _ _
[G#] _ _ [C#] _ _ [C#m] _ _ [A] _ _