F _
C _
Bb _
F _ _
C _ _
F _ .
_
C _
Bb _ _
F _
C _
F _ _ .
_
C _
Bb _
F _ _
C _
F _ _ .
_
C _
Gm _ _
F _
C _ _
F.
A man walks down the
C street, and
F says, why am I soft in the middle now, why am I soft.
in the
Gm middle, the
F rest of my life is so hard, I need a photo
C Gm opportunity,
F I want a shot.
of redemption, don't want to end up a
G cartoon in
F a cartoon graveyard, bones hidden, bones.
Gm hidden,
F dogs in the moonlight, _ far
C away in my welly, _ strip the air of me, air of me,.
Get these mutts away from me, you know.
I don't find this stuff
Dm on music anymore.
If you be my bodyguard, I can be
C your
F long lost
C pal.
Bb _
F _
C I
F _ .
can
C call you
Bb Betty.
F Betty, when
Am you call
F me, you can call me on.
C _
Bb _ _
F _
C _
F _ .
A man walks down the street,
Gm he says,.
F Why am I short of attention?.
Got a short little span of
G attention.
And
F won't my nights go long?.
Where's my wife
C and
Gm family?.
F What if I die here?.
Who'll be my
C role model?.
Now that my
F role model is
C gone, gone.
Bb He's stuck back
C down the alley with
F some.
A roadie
C pony, little bat face cook.
Am _
F C All along, _ _
Bb there were
C incidents and accidents.
There
F were
Cm hints and allegations.
Bb _ _
F _ _ .
If you be
C my
Bb F bodyguard, I can
C be your
F long lost
C pal.
Bb _ _
F _
C _
F I can
C call you
Bb Betty.
F Betty, when
C you
F call me, you
C call
Gm me
F C on.
F Call me on.
_
G _
F _ _ _ _ .
_ Call
Gm me on.
F _ _ _ _ .
_ _ _
Gm _ _
F _ _ _ .
_ _ _ _ _ _ _ _ .
_ _ _
Bb _ _
C _ _ _ .
_ _ _
Bb _
C _ A _ .
_ _ _
Bb _ _
C _ _
F _ .
C _ _ _ _ _ _
F _ _ .
_
C _
Bb man
F _
C _
F _ _ .
_
C _
Bb _ _
F _
C _
F _ _ .
_
C _
Bb _ _
F _
C _
F _ _ .
_
C _
Bb _ _
F _ _ _ _ .
C F walks down
Gm the street,.
F It's a street with a strange woman.
Maybe it's the third one,.
C Maybe it's his
F first time around.
Doesn't speak
C language,
F holds no
C currency.
He
F is a foreign
Gm man.
F He is surrounded by the
C sound, sound.
Cattle in the
F marketplaces,.
Scattling
C with all
Bb the jazz.
C He
F looks around,
Cm around,.
He sees angels in the architecture,.
Spinning and spinning.
Gm He
F says, hey, hallelujah,.
If you
C be my
Bb bodyguard,
F I can
C be
F your long lost
C pal.
Bb _
F _
C _ _
F.
I can
C call you Betty.
Bb F Betty,
C when you call
F me, you
C call
Bb me
F C on.
F Call me on.
_ _
Gm _
F _
C _ _ .
_
F _ _
Gm _ _
F _ _ _ .
_ _ _ _ _ _
C _ _ .
_
F _ _
Gm _
F _ _ _ _ .
_ _ _ _ _ _ _ _ .
_ _ _ _ _ _ _ _ .
_
N _ _ _ _ _ _ _ .
_ _ _ _ _ _ _ _ .
_ _ _ _ _ _
F _ _ .
_
C _ _
Bb _
F _
C _ _
F _ .
_
C _ _
Bb _
F _
C _ _
F _ .
_
C _ _
Bb _
F _
C _ _
F _ .
_
C _ _
Bb _
F _
C _ _
F.
If
C you be my
F _ _
C _ _
F _ .
_ _
C _ _
F _ _
C _
F _ .
_ _
C _
Gm F bodyguard,.
_
C _
F _ .
_ _
C _
Bb _
F _ _
C _
F _ .
If you
C be my
F bodyguard,.
_ _
C _
F _ .
_ _
C _
F If you be
C my bodyguard,.
F _ _ _
C _
Bb _
F _ _
C _
F _ .
_ _ _ _ _ _
C _
F _ .