Chords for The Mountain Road (Reel): Trad Irish Fiddle Lesson by Kevin Burke
Tempo:
139.35 bpm
Chords used:
F#m
Bm
G
D
F#
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[G]
[D#] [F]
[G]
[Dm]
[F#m]
[D]
[Bm]
[D]
[F#m] [D]
[Bm]
[G] [D]
The Mountain Road is a reel written by Michael Gorman.
Michael Gorman was a great fiddler
from County Sligo, from near Tubbrow Currie I think.
He wrote the tune initially with
six parts, but most people play it as a two part tune.
I like the third part as well,
so I sometimes add the third part.
But in most sessions you'll find it played as a two
part tune.
And usually it's single, A B A B, but once in a while you'll hear people
playing it two A's, two B's.
So I go through the tune with the three parts that I usually
play, but be aware that when you're playing it in sessions you should probably presume
the other players are going to play it as a two part tune.
Be ready to switch back into
the first part and ignore the third part.
If you've got players who know the third part,
then I'm sure they'll enjoy playing it with you, but it would be better to presume it's
going to be performed as a two part tune.
So the opening few notes of The Mountain Road
starts on an F sharp, up to the A string, [Bm]
back to the F sharp, then up to a B, and back to the
F sharp, [D] and then A F sharp again.
[F#]
And I tend to leave my finger on the F sharp, play that
note all the time during that phrase, and bring in the other notes on the second string as second
notes.
So often I'm playing two notes at a time.
[F#m] [Bm]
[F#m]
[Gm] [F#m] [F#]
[E] So for the purpose of this demonstration,
it'll be easier if I separate the notes [G] out, [G#m] it'll be easier to hear them.
[F#m] But be aware that when I
play this tune, I'm usually just hovering between the two strings, staying on the third string and
bringing in the second as necessary.
So the opening phrase again.
So if you arrive in Ireland
and you want to join in with a session, The Mountain Road is a tune that probably most people
will know.
I've mentioned before about the string crossing, keeping the drone note, the lower note,
constant.
In this case it's the F sharp.
So when I go over to those notes on the A string,
I'm also playing the F sharp.
And
[E] [F#m]
[Bm] [F#m]
[G] [D] I usually put in a bold triplet here.
[F#m]
[Bm] So I slow the F sharp and the A before the triplet, I slow them in a lot more.
[G] [F#m]
[B]
[Bm]
[G] [D]
[Bm] [G]
[A] [Bm] [N]
[D#] [F]
[G]
[Dm]
[F#m]
[D]
[Bm]
[D]
[F#m] [D]
[Bm]
[G] [D]
The Mountain Road is a reel written by Michael Gorman.
Michael Gorman was a great fiddler
from County Sligo, from near Tubbrow Currie I think.
He wrote the tune initially with
six parts, but most people play it as a two part tune.
I like the third part as well,
so I sometimes add the third part.
But in most sessions you'll find it played as a two
part tune.
And usually it's single, A B A B, but once in a while you'll hear people
playing it two A's, two B's.
So I go through the tune with the three parts that I usually
play, but be aware that when you're playing it in sessions you should probably presume
the other players are going to play it as a two part tune.
Be ready to switch back into
the first part and ignore the third part.
If you've got players who know the third part,
then I'm sure they'll enjoy playing it with you, but it would be better to presume it's
going to be performed as a two part tune.
So the opening few notes of The Mountain Road
starts on an F sharp, up to the A string, [Bm]
back to the F sharp, then up to a B, and back to the
F sharp, [D] and then A F sharp again.
[F#]
And I tend to leave my finger on the F sharp, play that
note all the time during that phrase, and bring in the other notes on the second string as second
notes.
So often I'm playing two notes at a time.
[F#m] [Bm]
[F#m]
[Gm] [F#m] [F#]
[E] So for the purpose of this demonstration,
it'll be easier if I separate the notes [G] out, [G#m] it'll be easier to hear them.
[F#m] But be aware that when I
play this tune, I'm usually just hovering between the two strings, staying on the third string and
bringing in the second as necessary.
So the opening phrase again.
So if you arrive in Ireland
and you want to join in with a session, The Mountain Road is a tune that probably most people
will know.
I've mentioned before about the string crossing, keeping the drone note, the lower note,
constant.
In this case it's the F sharp.
So when I go over to those notes on the A string,
I'm also playing the F sharp.
And
[E] [F#m]
[Bm] [F#m]
[G] [D] I usually put in a bold triplet here.
[F#m]
[Bm] So I slow the F sharp and the A before the triplet, I slow them in a lot more.
[G] [F#m]
[B]
[Bm]
[G] [D]
[Bm] [G]
[A] [Bm] [N]
Key:
F#m
Bm
G
D
F#
F#m
Bm
G
_ _ [G] _ _ _ _ _ _
_ _ _ _ [D#] _ _ [F] _ _
_ [G] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [Dm] _ _
[F#m] _ _ _ _ _ _ _ _
[D] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [Bm] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [D] _ _
_ _ _ _ _ _ _ _
_ _ [F#m] _ _ _ _ [D] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [Bm] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [G] _ _ [D] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ The Mountain Road is a reel written by _ _ _ Michael Gorman.
Michael Gorman was a great fiddler
from County Sligo, _ from near Tubbrow Currie I think. _ _
_ _ _ He wrote the tune initially with
_ six parts, _ but most people play it as a two part tune.
_ _ _ _ I like the third part as well,
so I _ sometimes add the third part.
_ _ But in most sessions you'll find it played as a two
part tune.
_ And usually it's single, A B A B, but once in a while you'll hear people
playing it two A's, two B's.
_ _ _ _ So _ _ _ I go through the tune _ _ _ with _ _ _ the three parts that I usually
play, but be aware that when you're playing it in sessions _ _ _ you should probably presume
the other players are going to play it as a two part tune. _
_ _ Be ready to switch back into
the first part and ignore the third part.
_ If you've got _ _ players who know the third part,
then I'm sure they'll enjoy playing it with you, but it would be better to presume _ it's
going to be performed as a two part tune. _ _
_ So the opening few notes of The Mountain Road
starts on an F sharp, _ _ _ up to the A string, _ _ [Bm] _ _
_ _ _ back to the F sharp, then up to a B, and back to the
F sharp, _ [D] _ and _ then A F sharp again. _
_ _ _ _ _ _ [F#] _ _
_ _ And _ I tend to leave my finger on the F sharp, _ _ _ play that
note all the time during that phrase, and bring in the other notes _ _ on the second string _ _ as second
notes.
So often _ I'm playing two notes at a time.
_ _ [F#m] _ _ _ [Bm] _ _ _
_ _ [F#m] _ _ _ _ _ _
_ _ _ [Gm] _ [F#m] _ _ _ [F#] _
_ [E] _ _ _ So for the purpose of this demonstration,
it'll be easier if I _ _ separate the notes [G] out, [G#m] it'll be easier to hear them. _ _
[F#m] But be aware that when I
play this tune, I'm usually just _ _ hovering between the two strings, _ _ _ staying on the third string and
bringing in the second as necessary.
So the opening phrase again.
So _ _ if _ you _ _ _ _ arrive in Ireland
and you want to join in with a session, _ The Mountain Road is a tune that probably most people
will know.
I've mentioned _ _ _ _ before about the string crossing, keeping the drone note, the lower note,
_ constant.
In this case it's the F sharp.
_ _ So _ _ when I go over to those notes on the A string,
I'm also playing the F sharp.
_ _ _ And _ _
_ [E] _ [F#m] _ _ _ _ _ _
[Bm] _ _ _ _ _ [F#m] _ _ _
_ _ [G] _ _ _ [D] I usually put in a bold triplet here.
_ [F#m] _ _ _
[Bm] _ _ So I slow the F sharp and the A before the triplet, I slow them in a lot more. _
_ _ _ _ [G] _ _ [F#m] _ _
_ [B] _ _ _ _ _ _ _
[Bm] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [G] _ [D] _ _
_ _ [Bm] _ _ _ _ _ [G] _
_ _ [A] _ _ _ [Bm] _ _ [N] _
_ _ _ _ [D#] _ _ [F] _ _
_ [G] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [Dm] _ _
[F#m] _ _ _ _ _ _ _ _
[D] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [Bm] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [D] _ _
_ _ _ _ _ _ _ _
_ _ [F#m] _ _ _ _ [D] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [Bm] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [G] _ _ [D] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ The Mountain Road is a reel written by _ _ _ Michael Gorman.
Michael Gorman was a great fiddler
from County Sligo, _ from near Tubbrow Currie I think. _ _
_ _ _ He wrote the tune initially with
_ six parts, _ but most people play it as a two part tune.
_ _ _ _ I like the third part as well,
so I _ sometimes add the third part.
_ _ But in most sessions you'll find it played as a two
part tune.
_ And usually it's single, A B A B, but once in a while you'll hear people
playing it two A's, two B's.
_ _ _ _ So _ _ _ I go through the tune _ _ _ with _ _ _ the three parts that I usually
play, but be aware that when you're playing it in sessions _ _ _ you should probably presume
the other players are going to play it as a two part tune. _
_ _ Be ready to switch back into
the first part and ignore the third part.
_ If you've got _ _ players who know the third part,
then I'm sure they'll enjoy playing it with you, but it would be better to presume _ it's
going to be performed as a two part tune. _ _
_ So the opening few notes of The Mountain Road
starts on an F sharp, _ _ _ up to the A string, _ _ [Bm] _ _
_ _ _ back to the F sharp, then up to a B, and back to the
F sharp, _ [D] _ and _ then A F sharp again. _
_ _ _ _ _ _ [F#] _ _
_ _ And _ I tend to leave my finger on the F sharp, _ _ _ play that
note all the time during that phrase, and bring in the other notes _ _ on the second string _ _ as second
notes.
So often _ I'm playing two notes at a time.
_ _ [F#m] _ _ _ [Bm] _ _ _
_ _ [F#m] _ _ _ _ _ _
_ _ _ [Gm] _ [F#m] _ _ _ [F#] _
_ [E] _ _ _ So for the purpose of this demonstration,
it'll be easier if I _ _ separate the notes [G] out, [G#m] it'll be easier to hear them. _ _
[F#m] But be aware that when I
play this tune, I'm usually just _ _ hovering between the two strings, _ _ _ staying on the third string and
bringing in the second as necessary.
So the opening phrase again.
So _ _ if _ you _ _ _ _ arrive in Ireland
and you want to join in with a session, _ The Mountain Road is a tune that probably most people
will know.
I've mentioned _ _ _ _ before about the string crossing, keeping the drone note, the lower note,
_ constant.
In this case it's the F sharp.
_ _ So _ _ when I go over to those notes on the A string,
I'm also playing the F sharp.
_ _ _ And _ _
_ [E] _ [F#m] _ _ _ _ _ _
[Bm] _ _ _ _ _ [F#m] _ _ _
_ _ [G] _ _ _ [D] I usually put in a bold triplet here.
_ [F#m] _ _ _
[Bm] _ _ So I slow the F sharp and the A before the triplet, I slow them in a lot more. _
_ _ _ _ [G] _ _ [F#m] _ _
_ [B] _ _ _ _ _ _ _
[Bm] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [G] _ [D] _ _
_ _ [Bm] _ _ _ _ _ [G] _
_ _ [A] _ _ _ [Bm] _ _ [N] _